Tag Archives: Golden Globe Award

2011 Golden Globe Award Winners: Full List

17 Jan

by Chris Petersen

Here they are, the full list of winners in the 2011 Golden Globe Awards:

Best motion picture, drama
“The Social Network”
Best performance by an actor in a motion picture, drama
Colin Firth, “The King’s Speech”
Best performance by an actress in a motion picture, drama
Natalie Portman, “Black Swan”
Best motion picture, comedy or musical
“The Kids Are All Right”
Best performance by an actor in a motion picture, comedy or musical
Paul Giamatti, “Barney’s Version”
Best performance by an actress in a motion picture, comedy or musical
Annette Bening, “The Kids Are All Right”
Best performance by an actor in a supporting role, motion picture

Christian Bale, “The Fighter”
Best performance by an actress in a supporting role, motion picture
Melissa Leo, “The Fighter”
Best animated feature film

“Toy Story 3”
Best foreign language film
“In a Better World”
Best director
David Fincher, “The Social Network”
Best screenplay
Aaron Sorkin, “The Social Network”
Best original score
Trent Reznor and Atticus Ross – “The Social Network”
Best original song
“You Haven’t Seen The Last Of Me” – Burlesque, with music & lyrics by Diane Warren
Best television series, drama

“Boardwalk Empire”
Best performance by an actor in a television series, drama
Steve Buscemi, “Boardwalk Empire”
Best performance by an actress in a television series, drama
Katey Sagal, “Sons of Anarchy”
Best television series, comedy or musical

“Glee”
Best performance by an actor in a television series, comedy or musical
Jim Parsons, “Big Bang Theory”
Best performance by an actress in a television series, comedy or musical
Laura Linney, “The Big C”
Best miniseries or made for television motion picture

“Carlos”
Best actor in a miniseries or made for television motion picture
Al Pacino, “You Don’t Know Jack”
Best actress in a miniseries or made for television motion picture
Claire Danes, “Temple Grandin”
Best actress in a supporting role in a series, miniseries or made for television motion picture

Jane Lynch, “Glee”
Best actor in a supporting role in a series, miniseries or made for television motion picture
Chris Colfer, “Glee”

Chris’ Take: Even though many of the nominations were questionable, I think the people they picked in each category were definitely justified, with the exception of a few. I personally wouldn’t have picked The Social Network over Black Swan, but that is just my opinion. I was really happy to see both Colin Firth and Natalie Portman win the Best Actor/Actress category.

While I had trouble getting through all of Boardwalk Empire, for the Drama category, there wasn’t a better pick. Jane Lynch gets another win for Glee, as expected, but I am probably on the short list of people that didn’t think Chris Colfer should have won a Best Supporting Actor award for Glee. While he is a decent actor, I think there are better people out there and that he won based on popularity rather than performance.

Where does this leave us for the Oscars? Well, we’ll see. I actually think the Academy Awards will be very different from the Golden Globes, even though the Globes are usually a good preview.

What are your thoughts? Did the Globes get it right?

TAKE TWO: The King’s Speech (2010)

11 Jan

The King’s Speech

Rated: R

Starring: Colin Firth, Geoffrey Rush, Helena Bonham Carter, Guy Pearce

Director: Tom Hooper

Chris’ Take: The King’s Speech is a film I kept trying to see before I wrote my Top Ten of 2010 list. The preview was engaging and there was so much buzz about it, but it didn’t come to a theater near me until I was out of town. Upon viewing, this would definitely make the Top Ten, if not the Top Five of the best films of last year.

In the years leading up to World War II, Prince Albert (Colin Firth), the second son of King George V, is constantly in the public spotlight, which proves even more daunting due to his incessant stammer. At the urging of his wife, Elizabeth (Helena Bonham Carter), he sees a speech defect specialist, Lionel Logue (Geoffrey Rush). Lionel’s eccentric methods are too much for Albert at first, but after his father’s death and his brother’s defection from the throne, he is thrust into the kingship and must rely on Lionel’s tutelage to instill confidence in him, so that he in turn can inspire and reassure his people, who are on the brink of war with Germany.

The King’s Speech easily had one of the best scripts of 2010, and director Tom Hooper used that to his advantage in setting the perfect pace of the film. It balanced between Lionel and Albert’s sessions and the drama ensuing in Albert’s personal life. While the film could have easily gotten bogged down with the amount of dialogue, it managed to keep the timing and delivery snappy, witty, intriguing and sincere. One of the parts of the story that I really liked, was how the film hinted as to why Elizabeth grew to love Albert, who was almost completely lacking in self-confidence, showing moments of touching humor between them, and his general warmth toward those that he loved.

The cinematography was subtle, but strong, many times focusing on Colin Firth’s face, then the intimidating microphone, while blurring out the background, so that the pressure he was under could really be felt.

But, it did not keep the cinematography close at all times, usually only when he was speaking, allowing the viewer a reprieve from the stress. This allowed for a more enjoyable experience overall, compared to other films that have attempted the same technique this year, such as Black Swan and Let Me In, which were more intended to create dread, paranoia and claustrophobia for extended periods of time.

Now, we come to the acting. The King’s Speech contained so many great performances, especially from its lead, Colin Firth, who managed the stammer, peppered with fits of rage, extremely well. Geoffrey Rush, a great character actor to begin with, was able to masterfully work in playful eccentricities with Lionel and balance that out with moments of perceptive insight. Helena Bonham Carter returns to her earlier acting days by playing the most normal character she has been in the last 10 – 15 years and she played the part of loving and supportive wife very well.

Just a sampling of Helena Bonham Carter's more recent roles.

The interactions between the characters were so delightful and engaging, further proving all the buzz about the film.

Did this film need to be seen in the theater? Probably not, but it was still very enjoyable and worth the money spent on seeing it. I am sure we will be hearing more about this one as we get closer to the Golden Globe Awards, and a little later at the Oscars. I sincerely hope that Firth and Rush come away with some wins somewhere down the line, and that the superb script also gets the high recognition that it deserves.

  • Characters: A
  • Cinematography: A-
  • Directing: A
  • Plot: A
  • Performances: A+
  • Overall: A

Pac’s Take: 

With the Academy Awards nominations pool for best picture expanding to a daunting list of ten nominees, there is a lot of competition for the Best Picture award.  Inception will serve as this year’s Avatar and be the blockbuster hit the majority of the viewing public expects to win, mostly because it was one of the few films on the list they saw.  However, if my vote counted I would undoubtably vote for The King’s Speech to take home the award (granted I have yet to see a few of these films as well).  It is a rare gem in cinema these days to see a film that strips itself of everything shiny that attracts a passerby audience and relies solely on a captivating story and in-depth characterization.  The King’s Speech did just that and executed it to flawless perfection.  A single miscue in pacing, casting, or cinematography could have cracked the porcelain finish of this film, but director Tom Hooper handled everything with care and delivered a great film.

Chris touched on this briefly in his review, but an important aspect of the film to note was the cinematography.  Two other films I saw this year, Black Swan and Let Me In, relied heavily on close-ups and tight shots throughout the film to deliver a sense anxiety and/or claustrophobia.  The King’s Speech could have very easily continued this trend as very much of the film depended on the audience connecting with the anxiety Prince Albert (Colin Firth) had about public speaking and how he directed that anxiety intrinsically.  This concept was not only a major part of the Prince’s characterization but also a driving plot device as pensiveness was holding him back from recovery.  Despite that,  Hooper limited the close-ups and tight shots to sporadic use allowing the audience reprieve from Albert’s tightly wound emotions.  After exiting the theater I still felt completely connected to the character and his story but wasn’t grasping for air because I finally left a theater that felt three feet wide.

Mr. Reynolds, please refrain from cell phone use while in the independent theater. Thank You

 The acting in this film was superb, especially Colin Firth who undertook what appeared to be a very complex character with physical complications.  As a viewer, to recognize the depth and difficulty in the role but also acknowledge the ease in which it seemed Firth executed it speaks volumes to the performance.  Geoffrey Rush’s performance was brilliant in its own right and the chemistry between the two actors maintained the pace and pleasantry of a dialogue driven film.  Helena Bonham Carter delivered a subtle performance, likely to not garner an oscar, but it was pleasant to see her tone it down a bit.

I wish I could amend my favorite films of 2010 list to include The King’s Speech as it would have landed somewhere in the top 3.  Here are my grades (sorry for the lack of disparity between Chris and I):

  • Characters: A
  • Cinematography: A-
  • Directing: A
  • Plot: A
  • Performances: A+
  • Overall: A

2011 Golden Globe Nominees Announced

14 Dec

Awards season is about to kick into high gear as the second biggest film award nominations were announced earlier this morning. Here is the full list of nominees for the 2011 Golden Globe Awards:

Best Motion Picture: Drama

  • Black Swan
  • The Fighter
  • Inception
  • The King’s Speech
  • The Social Network

Best Motion Picture: Musical or Comedy

  • Alice in Wonderland
  • The Tourist
  • The Kids are All Right
  • Red
  • Burlesque

Best Performance by an Actor in a Motion Picture: Drama

  • Jesse Eisenberg for The Social Network
  • Colin Firth for The King’s Speech
  • James Franco for 127 Hours
  • Ryan Gosling for Blue Valentine
  • Mark Wahlberg for The Fighter

Best Performance by and Actress in a Motion Picture: Drama

  • Halle Berry for Frankie and Alice
  • Nicole Kidman for Rabbit Hole
  • Jennifer Lawrence for Winter’s Bone
  • Natalie Portman for Black Swan
  • Michelle Williams for Blue Valentine

Best Performance by an Actor in a Motion Picture: Musical or Comedy

  • Johnny Depp for The Tourist
  • Johnny Depp for Alice in Wonderland
  • Paul Giamatti for Barney’s Version
  • Jake Gyllenhall for Love and Other Drugs
  • Kevin Spacey for Casino Jack

Best Performance by an Actress in a Motion Picture: Musical or Comedy

  • Annette Benning for The Kids are All Right
  • Anne Hathaway for Love and Other Drugs
  • Angelina Jolie for The Tourist
  • Julianne Moore for The Kids are All Right
  • Emma Stone for Easy A

Best Performance by an Actor in a Supporting Role in a Motion Picture

  • Christian Bale for The Fighter
  • Michael Douglas for Wall Street: Money Never Sleeps
  • Andrew Garfield for The Social Network
  • Jeremy Renner for The Town
  • Geoffrey Rush for The King’s Speech

Best Performance by an Actress in a Supporting Role in a Motion Picture

  • Amy Adams for The Fighter
  • Helena Bonham Carter for The King’s Speech
  • Mila Kunis for The Black Swan
  • Melissa Leo for The Fighter
  • Jacki Weaver for Animal Kingdom

Best Director : Motion Picture

  • Darren Aronofsky for Black Swan
  • David Fincher for The Social Network
  • Tom Hooper for The King’s Speech
  • Christopher Nolan for Inception
  • David O. Russell for The Fighter

Best Screenplay

  • 127 Hours- Danny Boyle, Simon Beaufoy
  • Inception- Christopher Nolan
  • The Kids are All Right- Stuart Blumbert, Lisa Cholodenko
  • The King’s Speech- David Seidler
  • The Social Network- Aaron Sorkin

Best Original Score: Motion Picture

  • 127 Hours- A.R. Rahman
  • Alice in Wonderland- Danny Elfman
  • Inception- Hans Zimmer
  • The King’s Speech- Alexandre Desplat
  • The Social Network- Trent Reznor, Atticus Ross

Best Original Song: Motion Picture

  • Burlesque (“Bound to You”)
  • Burlesque (“You Haven’t Seen the Last of Me”)
  • Country Strong (“Coming Home”)
  • The Chronicles of Narnia: The Voyage of the Dawn Treader (“There’s a Place for Us”)
  • Tangled (“I See the Light”)

Best Animated Film

  • Despicable Me
  • Toy Story 3
  • How to Train Your Dragon
  • The Illusionist
  • Tangled

Best Foreign Language Film

  • Biutiful
  • I am Love
  • The Concert
  • The Edge
  • In a Better World

Best Television Series: Drama

  • Boardwalk Empire
  • Dexter
  • The Good Wife
  • Mad Men
  • The Walking Dead

Best Television Series: Musical or Comedy

  • Glee
  • Modern Family
  • The Big C
  • Nurse Jackie
  • 30 Rock
  • The Big Bang Theory

Best Mini-Series of Motion Picture Made for Television

  • Carlos
  • The Pacific
  • The Pillars of Earth
  • Temple Grandin
  • You Don’t Know Jack

Best Performance by an Actor in a Mini-Series or a Motion Picture Made for Television

  • Idris Elba for Luther
  • Ian McShane for The Pillars of the Earth
  • Al Pacino for You Don’t Know Jack
  • Dennis Quaid for The Special Relationship
  • Edgar Ramirez for Carlos

Best Performance by an Actress in a Mini-Series or a Motion Picture Made for Television:

  • Hayley Atwell for The Pillars of the Earth
  • Claire Danes for Temple Grandin
  • Judi Dench for Return to Cranford
  • Romola Garai for Emma
  • Jennifer Love Hewitt for The Client List

Best Performance by an Actor in a Television Series: Musical or Comedy

  • Alec Baldwin for 30 Rock
  • Steve Carell for The Office
  • Thomas Jane for Hung
  • Matthew Morrison for Glee
  • Jim Parsons for The Big Bang Theory

Best Performance by an Actress in a Television Series: Musical or Comedy

  • Toni Collette for United States of Tara
  • Edie Falco for Nurse Jackie
  • Laura Linney for The Big C
  • Tina Fey for 30 Rock
  • Lea Michele for Glee

Best Performance by an Actor in a Television Series: Drama

  • Steve Buscemi for Boardwalk Empire
  • Bryan Cranston for Breaking Bad
  • Michael C. Hall for Dexter
  • Jon Hamm for Mad Men
  • Hugh Laurie for House M.D.

Best Performance by an Actress in a Television Series: Drama

  • Julianna Margulies for The Good Wife
  • Elizabeth Moss for Mad Men
  • Piper Perabo for Covert Affairs
  • Katey Sagal for Sons of Anarchy
  • Kyra Sedgwick for The Closer

Best Performance by an Actor in Supporting Role in Series, Mini-Series or Motion Picture Made for Television

  • Scott Caan for Hawaii Five-0
  • Chris Colfer for Glee
  • Chris Noth for The Good Wife
  • Eric Stonestreet for Modern Family
  • David Strathairn for Temple Grandin

Best Performance by an Actress in a Supporting Role in a Series, Mini-Series or Motion Picture Made for Television

  • Hope Davis for The Special Relationship
  • Jane Lynch for Glee
  • Kelly Macdonald for Boardwalk Empire
  • Julia Stiles for Dexter
  • Sofia Vergara for Modern Family

And that’s it! There weren’t too many surprises, except in the Best Motion Picture: Musical or Comedy category. I can understand Burlesque because it is like the only musical to come out this year, but The Tourist? Granted, I haven’t seen it, but I find it hard to believe that a film that got a 20% from RottenTomatoes.com could end up being nominated for best comedy. And is it a comedy? What about Alice in Wonderland? I thought it was just okay and visually great, but it really fell short as a comedy and it was most definitely not a musical. I also thought the acting nominations in the comedy category tended to stick to known names rather than actually looking for solid comedic performances.

For television, while I am not a fan of the current seasons of the dramas that were nominated (sans Mad Men), they do make sense compared with the competition. I think Mad Men will sweep just about all dramatic categories.

What do you all think? Did they get it right this year or not?