Tag Archives: Black Swan

New to Blu-Ray/DVD last Week (March 29, 2011)

6 Apr

Black Swan

Rated: R

Starring: Natalie Portman, Mila Kunis, Vincent Cassel

Director: Darren Aronofsky

Synopsis from IMDB:  A ballet dancer wins the lead in “Swan Lake” and is perfect for the role of the delicate White Swan – Princess Odette – but slowly loses her mind as she becomes more and more like Odile, the Black Swan.

Trailer:

Pac’s Take:  The last of the Oscar nominated films to be released to home video in March, Black Swan is a must see.  It was one of the best films of 2010, boasted a great cast and wonderful direction from Darren Aronofsky.  If the film itself isn’t enough to encourage you to at least rent the DVD/Blu-Ray, recent controversy swirling around Natalie Portman, the dance sequences, and her Oscar campaign might encourage you to check out some of the bonus features.

Add Black Swan to your Netflix Queue.

Fair Game

Rated: PG-13

Starring: Naomi Watts, Sean Penn and Sonya Davison

Director: Doug Liman

Synopsis from IMDB:  CIA operative Valerie Plame discovers her identity is allegedly leaked by the government as payback for an op-ed article her husband wrote criticizing the Bush administration.

Trailer:

Pac’s Take: This film flew under the radar with it’s limited release in October, only grossing 9.5 million to-date.  Despite the limited release, Fair Game received high praise from the critics and boasts a “Certified Fresh” at 80% from Rotten Tomatoes.  The trailer is very compelling and the two leads, Watts and Penn, typically excel in any role.  Fair Game appears to be a top-notch political thriller, and will surely find it’s way into my Netflix queue.

Add Fair Game to your Netflix Queue.

Tangled

Rated: PG

Starring: Mandy Moore, Zachary Levi and Donna Murphy

Director: Nathan Greno, Byron Howard

Synopsis from IMDB: The magically long-haired Rapunzel has spent her entire life in a tower, but now that a runaway thief has stumbled upon her, she is about to discover the world for the first time, and who she really is.

Trailer:

Pac’s Take: Animated films that attract my attention are few and far between, and Tangled is no exception to that rule.  However, Walt Disney studios seemed to get the “Shrek” formula right with this film because it was well received by audiences and critics alike.  Tangled will surely boast an entertaining viewing for children as well as their parents, bringing enough laughs for both audiences.  Since I am neither a child nor a parent, I probably won’t be rushing to see this any time soon.

Add Tangled to your Netflix Queue.

All Good Things

Rated: R

Starring: Ryan Gosling, Kirsten Dunst and Frank Langella

Director: Andrew Jarecki

Synopsis from IMBD: A love story and murder mystery based on the most notorious unsolved murder case in New York history. The original screenplay uses newly discovered facts, court records and speculation as the foundation for a story of family, obsession, love and loss.

Trailer:

Pac’s Take:  The synopsis for this film seems to make it half love story, half murder mystery, and the trailer doesn’t shy away from that concept either.  If the ratio tips further into the latter then I may be compelled to give this a viewing, but as of now I am hesitant.  Ryan Gosling, though critically praised, is missing the versatility that would make him a must see actor in my eyes; I consider him the male Zooey Deschanel in a lot of ways.  Kirsten Dunst hasn’t done many quality roles in a few years so her name doesn’t attract me to this film either.  Add in a director who is making his first full-length feature, and a rating of %33 from Rotten Tomatoes, and I’ll probably pass on this film; at least for a while.

Add All Good Things to your Netflix Queue.

Mesrine: Public Enemy #1

Rated: R

Starring: Vincent Cassel, Ludivine Sagnier and Mathieu Amalric

Director: Jean-François Richet

Synopsis from IMDB:  The story of notorious French gangster Jacques Mesrine.

Trailer:

Pac’s Take:  Part 2 of a pair of films starring Vincent Cassel chronicling the French gangster Jacques Mesrine.  The film is French and can be viewed as such with subtitles or dubbed in English.  Cassel and this film are getting a lot more attention because of the success of Black Swan, which ironically also released on March 29.  Boasted by the critics named in the trailer to be on par with De Palma, Scorcese, and Coppola’s gangster classics, it is very doubtful that it will be able to live up to that hype.  However, it’s 84% rating on Rotten Tomatoes suggests those claims aren’t too farfetched, and this may certainly be worth a watch for those who enjoy the genre (as I do).

Add Mesrine to your Netflix Queue.

Made in Dagenham

Rated: R

Starring: Sally Hawkins, Bob Hoskins and Andrea Riseborough

Director: Nigel Cole

Synopsis from IMDB: A dramatization of the 1968 strike at the Ford Dagenham car plant, where female workers walked out in protest against sexual discrimination.

Trailer:

Pac’s Take:  In threat of probably sounding chauvinistic, I have no interest in seeing this film.  While the film looks well made, the performances look worthy, and the critical acclaim was high (80% on Rotten Tomatoes), this story simply does not compel me.  Primarily targeted to the female and feminist demographic, this indie British period piece appears to have all the elements to be a worthy rental.  However, so does Tangled but I doubt I’ll be adding that to my queue either.

Add Made in Dagenham to your Netflix Queue.

Dogtooth

Rated: R

Starring: Christos Stergioglou, Michele Valley and Aggeliki Papoulia

Director: Giorgos Lanthimos

Synopsis from IMDB: Three teenagers are confined to an isolated country estate that could very well be on another planet. The trio spend their days listening to endless homemade tapes that teach them a whole new vocabulary. Any word that comes from beyond their family abode is instantly assigned a new meaning. Hence ‘the sea’ refers to a large armchair and ‘zombies’ are little yellow flowers. Having invented a brother whom they claim to have ostracized for his disobedience, the über-controlling parents terrorize their offspring into submission. The father is the only family member who can leave the manicured lawns of their self-inflicted exile, earning their keep by managing a nearby factory, while the only outsider allowed on the premises is his colleague Christina, who is paid to relieve the son of his male urges. Tired of these dutiful acts of carnality, Christina disturbs the domestic balance.

Trailer:

Pac’s Take:  Nominated for best foreign language film at this year’s Academy Awards, Dogtooh becomes one of only 5 Greek films, and the first since 1977, to be nominated.  The film appears to be a blend somewhere between dark comedy, drama, horror, and fantasy.  The trailer claims it to be a satire, I’m assuming about parenting and sheltering your children or something.  Based on its Academy Award nomination, festival awards, and critical acclaim (93% on Rotten Tomatoes); it is probably worth a viewing.  Not interested in watching a foreign film with subtitles?  Don’t worry; I’m sure the American remake will hit U.S. theaters in the next 2 years.

Add Dogtooth to your Netflix Queue.

Full List of Academy Award Winners

28 Feb

Well the 83rd Annual Academy Awards are in the books and most of them went down as predicted, with The King’s Speech reigning supreme. Pac and I will have our full critique out later, but here is the full ist of Academy Award winners in case you missed the action last night. Congrats to everyone, after a rough start, 2010 really was a great year for film.

Best picture

  • “Black Swan”
  • “The Fighter”
  • “Inception”
  • “The Kids Are All Right”
  • “The King’s Speech” – WINNER
  • “127 Hours”
  • “The Social Network”
  • “Toy Story 3”
  • “True Grit”
  • “Winter’s Bone”

Best actor

  • Javier Bardem, “Biutiful”
  • Jeff Bridges, “True Grit”
  • Jesse Eisenberg, “The Social Network”
  • Colin Firth, “The King’s Speech” – WINNER
  • James Franco, “127 Hours”

Best actress

  • Annette Bening, “The Kids Are All Right”
  • Nicole Kidman, “Rabbit Hole”
  • Jennifer Lawrence, “Winter’s Bone”
  • Natalie Portman, “Black Swan” –WINNER
  • Michelle Williams, “Blue Valentine”

Supporting actor

  • Christian Bale, “The Fighter” – WINNER
  • John Hawkes, “Winter’s Bone”
  • Jeremy Renner, “The Town”
  • Mark Ruffalo, “The Kids Are All Right”
  • Geoffrey Rush, “The King’s Speech”

Supporting actress

  • Amy Adams, “The Fighter”
  • Helena Bonham Carter, “The King’s Speech”
  • Melissa Leo, “The Fighter” – WINNER
  • Hailee Steinfeld, “True Grit”
  • Jacki Weaver, “Animal Kingdom”

Director

  • Darren Aronofsky, “Black Swan”
  • David O. Russell, “The Fighter”
  • Tom Hooper, “The King’s Speech” – WINNER
  • David Fincher, “The Social Network”
  • Joel Coen and Ethan Coen, “True Grit”

Animated feature

  • “How to Train Your Dragon”
  • “The Illusionist”
  • “Toy Story 3” – WINNER

Foreign language film

  • “Biutiful”
  • “Dogtooth”
  • “In a Better world” – WINNER
  • “Incendies”
  • “Outside the Law”

Documentary feature

  • “Exit Through the Gift Shop”
  • “Gasland”
  • “Inside Job” – WINNER
  • “Restrepo”
  • “Waste Land”

Documentary short

  • “Killing in the Name”
  • “Poster Girl”
  • “Strangers No More” – WINNER
  • “Sun Come Up”
  • “The Warriors of Qiugang”

Adapted screenplay

  • “127 Hours”
  • “The Social Network” – WINNER
  • “Toy Story 3”
  • “True Grit”
  • “Winter’s Bone”

Original screenplay

  • “Another Year”
  • “The Fighter”
  • “Inception”
  • “The Kids Are All Right”
  • “The King’s Speech” – WINNER

Art direction

  • “Alice in Wonderland” – WINNER
  • “Harry Potter and the Deathly Hallows: Part I”
  • “Inception”
  • “The King’s Speech”
  • “True Grit”

Cinematography

  • “Black Swan”
  • “Inception”WINNER
  • “The King’s Speech”
  • “The Social Network”
  • “True Grit”

Costume design

  • “Alice in Wonderland” – WINNER
  • “I Am Love”
  • “The King’s Speech”
  • “The Tempest”
  • “True Grit”

Makeup

  • “Barney’s Version”
  • “The Way Back”
  • “The Wolfman” – WINNER

Film editing

  • “Black Swan”
  • “The Fighter”
  • “The King’s Speech”
  • “127 Hours”
  • “The Social Network” – WINNER

Visual effects

  • “Alice in Wonderland”
  • “Harry Potter and the Deathly Hallows Part 1”
  • “Hereafter”
  • “Inception” – WINNER
  • “Iron Man 2”

Original score

  • “How to Train Your Dragon”
  • “Inception”
  • “The King’s Speech”
  • “127 Hours”
  • “The Social Network” – WINNER

Original song

  • “Coming Home” from “Country Strong”
  • “I See the Light” from “Tangled”
  • “If I Rise” from “127 Hours”
  • “We Belong Together” from “Toy Story 3″ – WINNER

Sound editing

  • “Inception” – WINNER
  • “Toy Story 3”
  • “Tron: Legacy”
  • “True Grit”
  • “Unstoppable”

Sound mixing

  • “Inception” – WINNER
  • “The King’s Speech”
  • “Salt”
  • “The Social Network”
  • “True Grit”

Animated short film

  • “Day & Night”
  • “The Gruffalo”
  • “Let’s Pollute”
  • “The Lost Thing” – WINNER
  • “Madagascar, carnet de voyage” (“Madagascar, a Journey Diary”)

Live action short film

  • “The Confession”
  • “The Crush”
  • “God of Love” – WINNER
  • “Na Wewe”
  • “Wish 143”

Screen Actor’s Guild Award Winners: Full List

31 Jan

Last night, the Screen Actor’s Guild (SAG) hosted their annual awards ceremony, specifically dedicated to recognize outstanding performances on both the big and small screens. Here is the list of nominees and winners:

Outstanding Performance by a Cast in a Motion Picture

The King’s Speech *Winner*

 Black Swan

The Social Network

The Fighter

The Kids Are All Right

Outstanding Performance by a Male Actor in a Leading Role

Jesse Eisenberg – The Social Network

Jeff Bridges – True Grit

Robert Duvall – Get Low

Colin Firth – The King’s Speech *Winner*

James Franco – 127 Hours

Outstanding Performance by a Female Actor in a Leading Role

Annette Bening – The Kids Are All Right

Nicole Kidman – Rabbit Hole

Jennifer Lawrence – Winter’s Bone

Natalie Portman – Black Swan *Winner*

Hilary Swank – Conviction

Outstanding Performance by a Male Actor in a Supporting Role

Christian Bale – The Fighter *Winner*

John Hawkes – Winter’s Bone

Jeremy Renner – The Town

Mark Ruffalo – The Kids Are All Right

Geoffrey Rush – The King’s Speech

Outstanding Performance by a Female Actor in a Supporting Role

Amy Adams – The Fighter

Helena Bonham Carter – The King’s Speech

Mila Kunis – Black Swan

Melissa Leo – The Fighter *Winner*

Hailee Steinfeld – True Grit

Outstanding Performance by an Ensemble in a Drama Series

Boardwalk Empire *Winner*

Mad Men

Dexter

The Closer

The Good Wife

Outstanding Performance by an Ensemble in a Comedy Series

Glee

Modern  Family *Winner*

Hot in Cleveland

30 Rock

The Office

Outstanding Performance by a Male Actor in a Drama Series

Steve Buscemi – Boardwalk Empire *Winner*

Jon Hamm – Mad Men

Michael C. Hall – Dexter

Hugh Laurie – House M.D.

Bryan Cranston – Breaking Bad

Outstanding Performance by a Female Actor in a Drama Series

Glenn Close – Damages

Mariska Hargitay – Law & Order: SVU

Julianna Margulies – The Good Wife *Winner*

Elizabeth Moss – Mad Men

Kyra Sedgwick – The Closer

Outstanding Performance by a Male Actor in a Comedy Series

Alec Baldwin – 30 Rock *Winner*

Ty Burrell – Modern Family

Steve Carell – The Office

Chris Colfer – Glee

Ed O’Neill – Modern Family

Outstanding Performance by a Female Actor in a Comedy Series

Edie Falco – Nurse Jackie

Tina Fey – 30 Rock

Jane Lynch – Glee

Sofia Vergara – Modern Family

Betty White – Hot in Cleveland *Winner*

Outstanding Performance by a Male Actor in a Television Movie or Miniseries

John Goodman – You Don’t Know Jack

Al Pacino – You Don’t Know Jack *Winner*

Dennis Quaid – The Special Relationship

Edgar Ramirez – Carlos

Patrick Stewart – Macbeth

Outstanding Performance by a Female Actor in a Television Movie or Miniseries

Claire Danes – Temple Grandin *Winner*

Catherine O’Hara – Temple Grandin

Julia Ormond – Temple Grandin

Winona Ryder – When Love is Not Enough: The Lois Wilson Story

Susan Sarandon – You Don’t Know Jack

Outstanding Performance by a Stunt Ensemble

Green Zone

Inception *Winner*

Robin Hood

Outstanding Performance by a Stunt Ensemble in a Television Series

Burn Notice

True Blood *WINNER*

Dexter

Southland

CSI: NY

Armond White Ruffles Black Swan’s Feathers at New York Film Critic Circle Awards

12 Jan

Armond White

by Chris Petersen

The annual New York Film Critic‘s Circle Awards is one of the most prestigious and exclusive awards ceremonies each year, even if it doesn’t receive the amount of publicity as other ceremonies, like the Golden Globes or the Oscars. The New York Film Critics Circle (NYFCC) has been around since 1935 and is one of the most renowned critical circles in the country. This year, they got a new chairman, Armond White, writer for the New York Press, and one of the most controversial critics around. White is known for his reviews to be contradictory to many of his colleagues, writing long epithets in flowery language, many times degrading highly praised films, while lauding other films that many critics panned. For some perspective, here are some examples courtesy of RottenTomatoes.com.

 

FILMS THAT RECEIVED CRITICAL ACCLAIM

Inception (85% RT Score)

“Like Grand Theft Auto’s quasi-cinematic extension of noir and action-flick plots, Inception manipulates the digital audience’s delectation for relentless subterfuge.”

The King’s Speech (95% RT Score) 

“Each scene in The King’s Speech is so poorly staged that its ineptitude sometimes borders on the avant-garde.”

         

       

So inept that it fooled everyone into giving it nominations for almost every cinematography award.

 

The Social Network (97% RT Score)

” Like one of those fake-smart, middlebrow TV shows, the speciousness of The Social Network is disguised by topicality. It’s really a movie excusing Hollywood ruthlessness.”

Black Swan (88% RT Score)

” Aronofsky’s ethnic denial and escape into Nina’s psychological trauma actually trivializes her artistic pursuit. Turning art into genre movie silliness is a careerist’s dance.”

FILMS CRITICALLY PANNED

Jonah Hex (13% RT Score)

” It reexamines assumptions of good and evil-morality tale vs, trite entertainment-by confronting the hideous compromises people make with social conventions and their own desperation.”

Grown Ups (10% RT Score)

“Cheerful and surprisingly heartfelt”

Transformers: Revenge of the Fallen (20% RT Score)

” Transformers: Revenge of the Fallen is more proof [Bay] has a great eye for scale and a gift for visceral amazement.”

Transformers: Totally more worthy of praise than Black Swan.

 

White, as the chair, was the emcee for the event. When Darren Aronofsky’s film, Black Swan,  was presented an award for cinematography, Aronofsky decided to get in a little jab at White and said,  “I thought I was giving White the compassion award because if you don’t have something, you should get it. Seriously, keep it up because you give all of us another reason not to read The New York Press.” 

Not being one who takes criticism well, White fired back later on in the night by saying,“That’s all right. Darren reads me. That’s all I want. And because he reads me, he knows the truth.” After that, he seemed to cross the line by stating his opinion in the worst possible forum. Aronofsky wasn’t the only target that night for him, he also criticized The Social Network, when playwright Tony Kushner took the stage to present the Best Picture award to the film, by quipping, “Maybe he can explain how it won Best Picture.” He then set his sights on indie favorite, Noah Baumbach, and with a parting comment remarked, “I thank the circle for not awarding a single award to Greenberg.”

I am known from time to time for shelling out some scathing criticisms of the industry, awards shows, actors and the like, from my armchair quarterback blog. Sometimes my criticisms can go a little far when I get going into a rant, but to me, White was out of place as the emcee of a prestigious event, and as the chair of the NYFCC, by degrading the films at the awards show, his own Circle was awarding. I am not saying that he isn’t entitled to his opinion, he just needs to know that there is a time and a place for that, instead of acting like a spoiled child who didn’t get his way.

On a similar subject, I can respect White’s opinion about hype and the recent shift in the appreciation of criticism. He wrote a very well-written article on it on the New York Press website here, even if it was ridiculing bloggers such as myself and incredibly elitist. However, I think he ends up sounding more like that goth in high school who bucks the trend for the sake of bucking the trend, instead of actually believing what he writes. At one point, I thought he might be a made up character, a pen name someone used to stir up movie fans, sort of like Andy Kaufman’s Tony Clifton, using it for one prolonged joke on the public.

Genius

But alas, this guy is for real. While he has a point about how the internet has caused a lack of appreciation for criticism, and there are a lot of ignorant people out there posting incendiary comments, that doesn’t mean that everyone that isn’t part of a syndicated column or blog isn’t worth listening to.

What are your thoughts about Mr. White’s comments? Were they justified? Was it the right place?

Pac’s Best/Worst Films of 2010

5 Jan

Yesterday Chris posted his best and worst films of 2010, I decided to give you a day to mull it over, argue amongst friends, leave comments, and/or whatever it is you do.  Today I give you my list of the ten best and ten worst movies of 2010.  Keep in mind, as with Chris’s lists, that these are only the films that I have seen.  We are just fans like you and have to seek out our own means of viewing these films so it was impossible to see every film we would have liked to in 2010 (as well as those we’re forced to or stumble into).  As a bonus though, I’ve included the ten films I wish I would have seen in 2010 both because some of my films overlap Chris’s and I wanted to add something more and because I don’t want anyone saying “how could you have put (blank) over (blank)?” when I didn’t see (blank).

I want to end on a high note so here are my 10 least favorite films from the past year:

10. Let Me In

Right off the bat I’m going with a film that might make most people discredit the rest of my list, it was included in Chris’s 10 best films and it got great reviews, and there are definitely other films I could have put here instead (see honorable mentions) .  Let Me In was saved by great performances from wonderful young actors (and the always enjoyable Richard Jenkins) but the over-the-top cinematography and slow pace ruined any chance of me enjoying this film.  The film was shot way too tight and I spent more time deciphering what I was seeing on-screen and not enough time immersing myself in the film.  I’m a believer that you need to see a film twice to truly gauge its quality (which I haven’t done yet) but for now it remains on my ten least favorite.

9. Alice In Wonderland

Most all Hollywood couples part ways, so why too can’t the “bromances” between actor and director?  Maybe it is time for Tim Burton to move on from Johnny Depp the same way Scorcese moved on from DeNiro to DiCaprio.  I wasn’t able to see this film in 3D (which I heard was disappointing anyway), but none the less the film boasted some great visuals – and nothing else.  Burton’s story of Alice returning to Wonderland lacked substance and character and attempted to disguise it with the awe of visual appeal.  I wasn’t even able to finish this film (meaning it comes in #9 despite me not seeing the infamous dance sequence), and that almost never happens.

8. Leap Year

It is no secret that I am not a fan of the romantic comedy genre (as evidenced here), but I am always willing to give the newest one a shot given the appropriate company.  While most RomComs have ridiculous premises and over-the-top love stories, Leap Year attempted to top them all with its ridiculous premise about a girl who travels to Ireland to propose to her boyfriend on Leap Year only to fall in love along the way.  Amy Adams needs to take cues from actresses like Charlize Theron, you have way too much talent to be wasting it on Romantic Comedies.  If I have to see this film once every four years, it’d be too often.

7. Valentine’s Day

When a movie tries to bank off the success of another film in any other method other than a direct sequel (and many times even that doesn’t work), it is almost destined for failure.  Valentine’s Day clearly tried to use the formula of He’s Just Not That Into You, and take it one step further by including a holiday premise sure to draw in couples to the theater.  Unfortunately, they overlooked the one thing about HJNTIY that actually made it an enjoyable film to watch, a good story.  Valentine’s Day just grabbed as many billable actors as possible, cut them their check and let them check out as they filmed this abomination because they knew the names would be enough to turn a profit.  Hopefully when next years sequel, New Year’s Eve comes to theaters we’ll be a little bit wiser (probably not).

6. My Soul to Take

If Chris gives me credit for convincing him to see The Social Network, then I must too take blame for dragging him to this.  While he and most others would rank this higher on their list of least favorite films of 2010, I saw brief glimpses of what makes Wes Craven the premiere name in the horror genre.  The film lacked so many things including: acceptable performances from its young actors, cohesiveness in the story, and any sort of suspense.  However, after some analysis I determined that it wasn’t the story that was lacking but the execution.  Don’t let me forget that this was the worst 3D that I have seen in any film to date.  Maybe this Wes Craven film will be remade in 20 years like all his others, and this one could actually be improved upon.

5. The Killer Inside Me

I first saw the trailer for this film and immediately thought this was going to be the film that makes Casey Affleck a star.  With two very billable leading ladies (Jessica Alba and Kate Hudson) by his side, the director of a Mighty Heart at the reins, and a compelling story based off a well received book, I had such high hopes for this film.  What I got upon viewing was a shock value film disguised as noir with incredibly slow pacing.  Affleck turns out a good performance in this character piece, as does Kate Hudson but they still couldn’t save this film for me.  However, after spending two hours begging for this film to end I was rewarded with a pretty bad-ass ending, or maybe I was just relieved it was over.

4. Salt

I wasn’t expecting much from this film and didn’t see it til recently, so I can’t say that I was disappointed by it.  Still, Salt was easily the worst of a group of espionage films that were released this year.  Competing with the likes of Knight and Day, Killers, and The Tourist, and trying to live up to the quality of the Bourne series, Salt fell short in almost every aspect.  The performances were weak, the story was boring, the reveal was predictable, and the action was cliché.  Angelina Jolie is quickly becoming an actress whose films I try to avoid; and when Tom Cruise backs out for Knight and Day and is replaced by Liv Shreiber, you’re doomed.

Who Cares?

3. Twilight: Eclipse

The only thing that kept this film from landing any higher was that it did at least feature some pretty cool fight sequences as well as the beautiful Eva Green and Anna Kendrick.  Unfortunately, the rest of the film was littered with unbearable performances from its three main stars, a romance that has become so contrite by the third film that I can’t understand how even tweens can bear it anymore, and unneccessary chest bearing for swooning 12 year olds.  It is disappointing that this saga will be remembered in pop-culture as one of the most popular franchises of our generation, hopefully after the fourth installment reaches theaters the vampire craze will subside.

2. Sex and the City 2

I subject my girlfriend to a lot of bad action and horror movies so I only find it fair that sometimes I suck it up and watch a movie like Twilight: Eclipse and Sex and the City 2.  While Twilight: Eclipse at least boasted a cool fight scene, two very attractive supporting actresses, and some resemblance of a plot; Sex and the City 2 had nothing of the sort.  I strongly considered making this the #1 film on this list but decided against it because I hated the next film just a little bit more.  Take four over the hill women who were only mildly attractive in their prime, send them to the middle east to do absolutely nothing, add some obligatory male nudity, and what you get is this garbage.  Screw you HBO, where is my Sopranos movie?

1. The Last Airbender

What can I say about this film that hasn’t already been expressed in numerous blogs, reviews, and hate mail sent to M. Night Shyamalan?  This movie was terrible and I really don’t have anything else to say about it, I didn’t finish it and I have no interest in watching it all the way through because I genuinely don’t care what happens, hell I don’t even know what was happening during the first 2 acts that I did see.  It is a shame that Shyamalan’s name has been drug through the mud so badly after the release of this film because it caused so many people to dismiss Devil, a decent suspense/horror flick.

Honorable Mentions:  The Wolfman, The Losers, R.E.D., Jonah Hex

 

 Here are my favorite films from 2010:

10. The Ghost Writer

Let me hand it to my favorite website and one of the greatest resources on the web for movie news, reviews, and opinions for influencing me to see this movie.  It if it weren’t for a weekend film recommendation on this very site, I may never have seen The Ghost Writer, but I’m sure glad I listen to those guys at Chris Petersen’s Film Blog, they sure are smart.  A political crime thriller from across the pond, The Ghost Writer boasts superior performances from Ewan MacGregor and Pierce Brosnan, a stellar plot that unravels at just the right pace, and one hell of an ending.  You can call Roman Polanski a lot of things, and one of them should be an outstanding director.

9. Kick Ass

Not many films these days can feature Nicolas Cage and still make my top ten, but Kick Ass was able to do just that.  Blending just the right amount of superhero fantasy with the harsh reality of life, this film was a very smart, fun romp through the world of superhero fanboys.  What took this film to the next level though was the excellent cast supported by the aforementioned Cage, Chloe Moretz, and Christopher Mintz-Plasse.  But it was the bold decision to cast the little-known Aaron Johnson as Kick Ass that made this movie great.  Could you imagine how much it would have sucked if they went with, oh say…

This Guy

 8.  Unthinkable

Seriously, read this blog every day, these guys know what they are talking about.  Okay, so it was actually me who wrote the weekend film recommendation for Unthinkable this time, but I did it for a reason.  This film gets a bad rap by some because of its controversial subject matter and torture scene, but make no mistake – this is not torture porn.  Everything shown on-screen is deliberate and important to the purpose of the film, the movie is not supposed to gross you out but rather to make you think, and to question your own morality and the morality of the world we live in.  This film is heavy, and it features Samuel L. Jackson in his best performance from at least the past 5 years as well as Michael Sheen in an Oscar worthy performance.  (This film is available instantly on Netflix for those of you interested).

7. The Town

I’ve put my grievances with the ending to rest and have accepted this film for what it is, a very good heist flick.  Ben Affleck continues to show that he knows how to handle a camera and Jeremy Renner is quickly proving to be one of Hollywood’s heavyweights and they both shine in their respective roles in this film.  Some of their talent even rubbed off on the beautiful Blake Lively who did take a cue from Charlize Theron and disguised her beauty to play Affleck’s drugged out ex-girlfriend.  I wish I could have liked this film more than I did but despite its greatness amongst this years class of film, it doesn’t compare to the greats like Heat, Dog Day Afternoon, and Inside Man.

6. Inception

It was very difficult for me not to rank this film higher on my list but when it came down to it, I wasn’t influenced by all the peer pressure and the media touting this movie as the greatest piece of art ever to grace my eyes.  I do however, give this film all the respect it deserves for a great cast (including a breakout performance by Joseph Gordon Levitt), a great story, incredible special effects and cinematography, and a cliff hanger that will live in cinema infamy.  I truly hope this film will do what many speculate it is capable of and bring some big budget originality back to hollywood in the coming years.  Christopher Nolan truly is a master of his craft and one of three directors (including Martin Scorcese and the director of the #2 movie on my list) whose name alone earns the price of admission from my pockets.

5. The Other Guys

Many posts ago, Chris wrote a post compiling a list of movies that he didn’t like until his second viewing, and earlier in this post I wrote that I believe a movie needs to be seen twice to truly gauge its value.  The Other Guys is the poster child for that theory because when I walked out of the theater after seeing this film I actually disliked it.  A second viewing on DVD changed my mind and this film jumped into my top ten about as effortlessly as Samuel L. Jackson and Dwayne Johnson jumped off that building.  This movie is hilarious from start to finish, mainly because of its satirical premise and its two leading men: Mark Whalberg and Will Ferrell.  The replay value of this movie is very high (I think I’ve seen it 5x now) and its quotability is just as great, it’s the funniest movie to come out this year and I can’t wait to see Whalberg in more comedic roles.

4. I Love You Phillip Morris

When buzz about this movie started making its way around the internet I thought it was a comedy about cigarettes, much like Thank You for Smoking. I didn’t think much of it past the title til I saw the first trailer and laughed a few times, then saw it after having my wisdom teeth pulled ( I was in need of a good laugh ).  This movie was hilarious from start to finish and was (IMO) the best performance of Jim Carrey’s career, even Ewan MacGregor was great in his supporting role as the titular Phillip Morris.  There seems to be some stigma around this movie for its homosexual content; but the film doesn’t exploit the point that the two men are gay, it simply uses it to supplement to outrageous humor.  I would best describe this movie as a gay Catch Me if You Can.

3. Black Swan

If it weren’t for the first act of this film and its camera work I probably would have ranked this movie higher on my list, but if I’m going to chastise Let Me In for its cinematography I have to hold Black Swan accountable as well.  Despite my issue with the way the beginning of the film was shot, this film delivered on many levels, often in ways that Let Me In could not.  The plot that drove the story was incredibly paced with just enough suspense to keep me attentive without driving me as insane as Nina (Natalie Portman) and I sympathised with each of the characters especially Nina and her mother (Barbara Hershey).  The performances by Hershey, Portman, Cassell, Ryder, and even Kunis were top-notch.  Lastly the climax of the film left me both pondering what I just saw as well as begging for more.  Portman deserves an Academy Award for this performance and she has catapulted herself into superstardom (see her upcoming filmography for 2011, she’s busy).

2.  The Social Network

Like I Love You Phillip Morris there was a stigma surrounding The Social Network that watered down some of the anticipation and respect that this film deserved.  However, that stigma was quickly submerged by critical acclaim and box office success after it was released in theaters.  The Social Network is so much more than “The Facebook Movie”, its a courtroom thriller that doesn’t take place in a courtroom, and it’s a character piece on the now infamous creator of one of the most popular websites in the world.  The performances by young stars such as Jesse Eisenberg, Andrew Garfield, Justin Timberlake, and Armie Hammer (who kind of plays both Winklevoss twins) carry this film and it is only supplemented by David Fincher’s outstanding direction and cinematography.  If I had a vote for Best Picture as part of the Academy, I’d vote for this film.

1. Megamind

While I’ve already established that I think The Social Network deserves the Academy Award for best picture, I don’t think it deserves to top my list of favorite movies from 2010.  We go to the movies for many reasons, but the primary reason I go to the theater is be entertained, and Megamind was the most entertaining movie of the year for me – BY FAR.  It may have been a perfect storm that cast this film into the pole position on this list but I loved every second of it.  The movie had a great story (so what if it was mildly similar to Despicable Me), a fun cast with great chemistry (especially between Ferrell and Cross), excellent cinematography (especially for an animated film), and the best 3D that I have seen in any film to date.  So far twice in this post I have written that I believe you need to see a movie a second time to truly gauge its value, well I’ve seen Megamind once and I may purposefully never see it again.  Seeing this movie in 3D in theaters was such an enjoyable experience that I fear subsequent viewings may only diminish the perception I have of this film.  I hope to someday have the capability of recreating the theatrical experience that was Megamind (anyone wanna buy me a 3D TV? and Bose stereo system?).

Honorable Mention: The Crazies, Scott Pilgrim Vs. The World, Easy A

As a small token of my gratitude for reading through this very long post (even if you skimmed it) and making it this far, here is my top ten movies I wish I had seen in 2010, most of which are new or limited releases:

10. Paper Man
9. Winter’s Bone
8. Monsters
7. Toy Story 3
6. Tron: Legacy
5. 127 Hours
4. The King’s Speech
3. True Grit
2. The Fighter
1. Buried

Chris’ Best/Worst Films of 2010

4 Jan

Everyone seems to have their own opinion about what the best and worst films of the year were, and in that regard I am no different. This post comes with the disclaimer that these are only out of the films that I have seen. Unlike the Golden Globes, I don’t want to give films credit based on buzz, even if the chances are that they are pretty good.

 

If you're nominating Golden Globes on name recognition alone, I am surprised Valentine's Day didn't make the list.

 

 

Here are some of my favorite films from this year:

10. True Grit

While this film was good and featured great performances, specifically by Hailee Steinfield, the update seemed unnecessary overall. The technical aspects of the film were great, but failed to find any substance beneath the surface. Jeff Bridges played John Wayne’s classic and Oscar-winning role with bravado, but really only blended into the film rather than stood out like The Duke did. Still, The Coen Brothers definitely know how to make a film, there is no doubt about that.

 

9. Let Me In

The success of this film hinged heavily on the strength of its young leads (Chloe Moretz, Kodi Smit-McPhee) and they came through in spades to deliver a vampire film for adults and people with more than an I.Q. of 75. Richard Jenkins, one of the best kept secrets in Hollywood, also gives a strong performance as the protector of Moretz. I was thoroughly impressed with this film overall, and while I cannot comment on how it compares to the Swedish original, it still stands on its own as one of the best of the year.

8. Megamind

The first of two animated films on here, this was one of the most underrated films of the year. It did decent with the critics, but failed to find a strong fan base, even with the most spectacular 3D on display this year (that I saw). The script was strong and Will Ferrell and David Cross had an outstanding rapport and made this quite a treat for those that took the time to see it.

7. Toy Story 3

This ranking might incite some rage by people who think that should win best picture, and they have quite a following. To those people I say, wait…what? Pump the brakes here. This film is good, don’t get me wrong, but it is nowhere near Best Picture quality. It is entertaining, but lacked some of the humor of the first two and while it was in 3D, it did nothing with it other than jack up the prices of admission. Sure, it brought a tear to the eye of many as we said goodbye to some old friends, but in the end, the overall depth was far short of anything that should win top honors. Again, don’t crucify me, I liked it, it made this list, but I enjoyed so many other films more than this one.

6. The Other Guys

Will Ferrell definitely had some dud comedies in the last couple of years.

 

I'm looking at you Semi-Pro.

 

 

But, The Other Guys almost makes up for them and, like a lot of Will Ferrell films, gets better after repeat viewings and line quoting sessions. Mark Wahlberg made a great jump to comedy this year in both this film and Date Night, and he provided an intense foil to Will Ferrell’s bumbling. It was nice to see Ferrell tone it down a bit as well, letting Wahlberg share the spotlight. I couldn’t justify putting this film in the Top 5, but it was one of my favorites this year.

5. The Town

Ben Affleck is a decent actor when he really buckles down, but he is an incredible director and makes it seem easy. He compiled a great cast for his sophomore directorial production and wrote a superb script to boot, with fully fleshed out characters and realistic dialogue. He seems to bring out the best in everyone around him, even an unlikely Blake Lively, who you could barely recognize as a drug addict. High praise to Affleck and I hope that he stays behind the camera more often than not.

4. Inception

Christopher Nolan garnered the most buzz this year, releasing one of the highest grossing original productions this year. He brought a breath of fresh air to the summer season, which was bereft of entertaining films that aren’t dumbed down for the popcorn crowd. Nolan salvaged the summer blockbuster and paved the way for other budding directors to get the funding they need for their original projects, rather than having it shelled out to worn out sequels and reboots which flopped. This is another film that die hard fans argue should win best picture, but while this grand film succeeded technically and in the “that was so cool” department, it didn’t have the depth to move it any higher than the other films that round out the top 3.

3. The Social Network

When I wrote my article about The Five Most Anticipated Films of the Fall Season, this one didn’t even get honorable mention. I thought it looked like a film that was geared at trying to bank on the facebook craze. Man, was  I wrong, and I owe it to Pac for getting me into seeing this on. This scathing portrayal of Mark Zuckerberg, the creator of facebook, and the people that surrounded him on his meteoric rise, provided one of the most intriguing characters on screen this year, even if some of the “facts” were a bit fabricated. David Fincher should at least get a nomination for directorial work and Aaron Sorkin should get recognition for his smart screenplay adaptation as well.

2. Buried

I kind of saw this film by accident, after my fiance and I’s car broke down in Maryland. We ended up being in the wrong place at the right time and caught this hard to find film in the theater. My eyes were glued to the screen the whole time. I had heard about the premise of this film online and really wondered how they could film a whole movie inside a coffin (and I mean the whole movie). Ryan Reynolds carried the weight of this film on his shoulders and in the dim light portrayed the utter desperation of this man buried alive and held for ransom. I expected it to be intense, but I didn’t expect the strong emotional aspect of the film and it stuck with me for several weeks after watching it. I encourage everyone to see this film, unless they are extremely claustrophobic.

1. Black Swan

This was one of the most hyped films of the year, sporting a notable cast (Natalie Portman, Vincent Cassell, Mila Kunis) and a director, Darren Aronofsky, at the top of his game. I expected to be a little disappointed, but instead was completely captivated by this film, the only psycho-horror-ballet-thriller that I know of. Natalie Portman should definitely win Best Actress after this and I can forgive her for taking on lighter fare for a little while after this, which must have required her, like her character in the film, to be completely immersed in the artistic process. High marks for Barbara Hershey and Vincent Cassell as well, and a tip of the cap to Mila Kunis for their performances as well. It was beautifully dark and infinitely entrancing.

Movies I Wish I Had Seen for this List:

127 Hours

The Fighter


Worst Films

10. Due Date

Not a bad film necessarily, but come on, RDJ and Galifianakis can do better than that. If you want to see a funnier Todd Phillips road trip film, I suggest Road Trip.

9. Alice in Wonderland

Disappointed is the best word to describe my opinion about this film. Burton did a stellar job with the visuals and completely flopped developing a compelling story and Johnny Depp was more annoying than entertaining as the Mad Hatter.

Pardon me, sir, but could you spare some crack?

8. Predators

Adrien Brody as an action star is just not believable. The film had one of the best openings of the year and then dissolved into increasing ridiculousness and idiocy. If they knew mud was how they could beat them halfway through the film, why wait until the end, when they are almost all dead, to try it?

7. The Wolfman

Who would have thought that a film with great actors and a great premise would be one of the most boring films of the year. Please don’t bring this back…ever. I finally found an Anthony Hopkins film that I didn’t even enjoy watching in the least. I was hoping that day would never come.

6. Get Him to the Greek

I am still confused at how this film did so well with the critics. I was really excited about this sequel that wasn’t a sequel. It had great writers and a given chemistry between its two leads. But, it failed on just about every level, meandering for punch lines and a point for an hour and a half.

5. The Last Exorcism

I am going to repeat the joke that many people said about this film, let’s hope the title is accurate. While the film started off very well, the ending left a bitter taste in my mouth and the entire audience at the theater seemed disgruntled.

4. Valentine’s Day

How did they get this cast? How? This was by far one of the dumbest films of the year. This film was not funny and it wasn’t romantic. Ashton Kutcher and Jennifer Garner were the worst on screen couple I have seen in a while.

 

Okay, maybe not the worst.

 

 

3. MacGruber

I am always hoping SNL films will do well because I like the show, but they keep giving more ammo to people to hate them. This film was no different. I loved MacGruber on the show and got really excited about this film coming out, especially with Jorma Taccone directing and some serious talent associated with it. However, the gags were dumb and overly vulgar and the film made absolutely no sense. I was sorry to see Ryan Phillipe and Val Kilmer get tied up in this one.

2. My Soul to Take

Why did Wes Craven decide that this would be the film to make a come back with? Why not wait for Scream 4? I have serious doubts about the already shaky premise of the fourth installment after watching this piece of cinematic excrement. Not only did it have the worst story and terrible acting, it had pointless 3D that wasn’t even used. The one part that might have been cool to watch in 3D, wasn’t in the film, only in the preview. I think I died a little inside when I watched this film.

 

Well, at least no one can claim the title was false advertising.

 

 

1. The Last Airbender

M. Night Shyamalan, what happened to you? He is an easy target for this film and should be. He has plenty of money, why not wait and pick his projects more carefully. Why not hire someone else to write his scripts? Why not choose a better, less offensive child actor to play the lead? Why not bring a little bit of depth to your characters instead of putting cardboard cut outs around razzle dazzle special effects? I seem to recall a young director who said that he wanted to shy away from special effects anyway. Mr. Shyamalan, please refrain from directing any movies for at least five years and stick to helping people out with the Night Chronicles, because Devil was 10 times better than anything you made in the last 8 years.

 

TAKE TWO: Black Swan (2010)

21 Dec

Black Swan

Rated: R

Starring: Natalie Portman, Mila Kunis, Vincent Cassel, Barbara Hershey

Director: Dareen Aronofsky

Chris’ Take: There are very few films that can categorize themselves as a pyscho-horror-ballet-thriller, but this one falls solidly into it. This is one of the films I really wished I had brought something to take notes with, because while it was punctuated with grand moments of dizzying genius, there were so many small screen captures I wish I had to look at and mull over. This film was just downright brilliant.

Black Swan starts with a young ballet star, Nina Sayers (Natalie Portman), being picked to replace a veteran ballerina (Winona Ryder) as the lead in a new season of Swan Lake. Her director, Thomas Leroy( Vincent Cassel), is wary about Nina’s ability to encompass the role of both the purity of the White Swan and lustful passion of the Black Swan on stage, and sets her out on a rigorous and unconventional training. As the pressure to pull off the role mounts, her sanity begins to slip, especially when she feels threatened by a new dancer (Mila Kunis).

I am really glad I saw this in the theater for one reason: the music. For the last twenty minutes of the film I was completely entranced in both Portman’s performance and engulfed in the depth of the music around me. I think some of that would have been lost if I was watching it on a small screen with my modest sound system. The way the camera worked in conjunction with the soundtrack was perfect and made the finale that much more incredible.

The cinematography bothered me a little bit at first. The film was shot very tight, honing in on Natalie Portman’s head for most of the film. I knew what Aronofsky was going for, trying to portray Nina’s short-sighted, tight view of the world, which was opened up more throughout the film, and it also added a claustrophobic effect of the world closing in around her. However, I had to sit in the second row and it made it difficult to watch for the first half hour or so. That’s not to say that the cinematography wasn’t good, just bothersome at points. Aronofsky also did a lot with color, or lack thereof in the film, adding some interesting subtlety.

Natalie Portman definitely stole the show with her performance, making her metamorphosis very believable and the payoff that much more spectacular. Kudos to Mila Kunis as well, playing a little bit out of her normal range and managing to pull it off very well. I am kind of biased against Barbara Hershey.

Mainly because she stood in the way of this great sports film.

But, she definitely had a great role as an overprotective maternal figure, living vicariously through Nina. I think Portman should be at least nominated, if not win Best Actress at the Oscars this year.

Darren Aronofsky proved yet again that he can be visceral, gritty,and at the same time, beautiful. His style and editing make it really hard to figure out what was real and what wasn’t in the film, and demands a second a viewing.  There are some talented directors out there right now, and they have definitely stepped up this year. It is hard to say which film will come home with the highest honors this year, but Black Swan is definitely a top runner, and rightfully so.

  • Characters: A
  • Cinematography: B+
  • Directing: A+
  • Plot: A-
  • Performances: A+
  • OVERALL: A

Pac’s Take

Often time when I come out of the theater after watching a movie I have to reflect on what I just saw and take a breath.  Friends who joined me in the theater will often ask me what I thought of the film in the lobby and I respond to them with a blank stare and a shrug; in my mind the movie isn’t really over for me yet.  Black Swan was no exception to that rule, in fact it could probably be the poster child.  Deep down I do not want to like this movie as much as I did because honestly I don’t think I enjoyed the experience of watching it, but when I finally left the theater (physically and mentally) I was in awe of the story I was just told.

More like shock and awe really

It is very difficult to discuss the plot of the film because I think a lot of the unknown drives the brilliance behind the film, I can only go as far as to say that it is an adaptation of the Ballet they’re performing on-screen, adapted in a very visceral way.  Aside from the story, the two most notable characteristics of the film are the cinematography and the performances.  Much like Chris, the cinematography of this film was a complete distraction for me during the first act of the film.  The resolution, filters, and close shots (coupled by sitting so close to the screen) nauseated me at times and kept me from really getting into the first 30 minutes of the movie.  I hadn’t really considered why Aronofsky had shot the film like that until it was brought to my attention, but even after hearing a justification I thought it was unneccessary.  The close shots reminded me a lot of the way Let Me In was shot, and I had no qualm with denouncing it then too.  As the film progressed, the camera drew out and the momentum of the story picked up making the cinematography less noticeable (as it should be).

The performances in Black Swan were fantastic and I cannot see how Natalie Portman does not get both an Oscar nomination for her performance, and a win.  Portman is a very talented actress and it seems like this role was a long time coming for her; something to showcase her ability in a way that will get the recognition of the Academy and audiences alike and take her to the next level.  Not since The Professional (1994) has Portman had a role with this depth and raw emotion.  While no other performance stood up to Portman’s, the others did not slouch either.  Cassel stood out to me next as the ballet director, and I think this may mark his transition into Hollywood A-List (although he already has had a very successful career in foreign markets).  The tension between Barbara Hershey and Natalie Portman as mother and daughter really allowed Portman to shine and Hershey should be recognized for her great performance here, I think she deserved the best supporting actress nomination over Mila Kunis.  Even though she ventured outside her typical role and did a serviceable job playing Lily/The Black Swan, nothing about her performance stood out to me as exceptional.

Sorry Mila

Chris mentioned the score of the film, and an interesting bit of trivia is that the entire score of the film is a variation of the Swan Lake ballet played backwards and distorted.  If you’re looking for a fun movie to see with the family, friends, or loved ones sometime this holiday, Black Swan probably shouldn’t be your first choice; but this masterful film is definitely a must see.  Here are my grades:

  • Characters: A
  • Cinematography: B-
  • Directing: A
  • Plot: A
  • Performances: A+
  • OVERALL: A

2011 Golden Globe Nominees Announced

14 Dec

Awards season is about to kick into high gear as the second biggest film award nominations were announced earlier this morning. Here is the full list of nominees for the 2011 Golden Globe Awards:

Best Motion Picture: Drama

  • Black Swan
  • The Fighter
  • Inception
  • The King’s Speech
  • The Social Network

Best Motion Picture: Musical or Comedy

  • Alice in Wonderland
  • The Tourist
  • The Kids are All Right
  • Red
  • Burlesque

Best Performance by an Actor in a Motion Picture: Drama

  • Jesse Eisenberg for The Social Network
  • Colin Firth for The King’s Speech
  • James Franco for 127 Hours
  • Ryan Gosling for Blue Valentine
  • Mark Wahlberg for The Fighter

Best Performance by and Actress in a Motion Picture: Drama

  • Halle Berry for Frankie and Alice
  • Nicole Kidman for Rabbit Hole
  • Jennifer Lawrence for Winter’s Bone
  • Natalie Portman for Black Swan
  • Michelle Williams for Blue Valentine

Best Performance by an Actor in a Motion Picture: Musical or Comedy

  • Johnny Depp for The Tourist
  • Johnny Depp for Alice in Wonderland
  • Paul Giamatti for Barney’s Version
  • Jake Gyllenhall for Love and Other Drugs
  • Kevin Spacey for Casino Jack

Best Performance by an Actress in a Motion Picture: Musical or Comedy

  • Annette Benning for The Kids are All Right
  • Anne Hathaway for Love and Other Drugs
  • Angelina Jolie for The Tourist
  • Julianne Moore for The Kids are All Right
  • Emma Stone for Easy A

Best Performance by an Actor in a Supporting Role in a Motion Picture

  • Christian Bale for The Fighter
  • Michael Douglas for Wall Street: Money Never Sleeps
  • Andrew Garfield for The Social Network
  • Jeremy Renner for The Town
  • Geoffrey Rush for The King’s Speech

Best Performance by an Actress in a Supporting Role in a Motion Picture

  • Amy Adams for The Fighter
  • Helena Bonham Carter for The King’s Speech
  • Mila Kunis for The Black Swan
  • Melissa Leo for The Fighter
  • Jacki Weaver for Animal Kingdom

Best Director : Motion Picture

  • Darren Aronofsky for Black Swan
  • David Fincher for The Social Network
  • Tom Hooper for The King’s Speech
  • Christopher Nolan for Inception
  • David O. Russell for The Fighter

Best Screenplay

  • 127 Hours- Danny Boyle, Simon Beaufoy
  • Inception- Christopher Nolan
  • The Kids are All Right- Stuart Blumbert, Lisa Cholodenko
  • The King’s Speech- David Seidler
  • The Social Network- Aaron Sorkin

Best Original Score: Motion Picture

  • 127 Hours- A.R. Rahman
  • Alice in Wonderland- Danny Elfman
  • Inception- Hans Zimmer
  • The King’s Speech- Alexandre Desplat
  • The Social Network- Trent Reznor, Atticus Ross

Best Original Song: Motion Picture

  • Burlesque (“Bound to You”)
  • Burlesque (“You Haven’t Seen the Last of Me”)
  • Country Strong (“Coming Home”)
  • The Chronicles of Narnia: The Voyage of the Dawn Treader (“There’s a Place for Us”)
  • Tangled (“I See the Light”)

Best Animated Film

  • Despicable Me
  • Toy Story 3
  • How to Train Your Dragon
  • The Illusionist
  • Tangled

Best Foreign Language Film

  • Biutiful
  • I am Love
  • The Concert
  • The Edge
  • In a Better World

Best Television Series: Drama

  • Boardwalk Empire
  • Dexter
  • The Good Wife
  • Mad Men
  • The Walking Dead

Best Television Series: Musical or Comedy

  • Glee
  • Modern Family
  • The Big C
  • Nurse Jackie
  • 30 Rock
  • The Big Bang Theory

Best Mini-Series of Motion Picture Made for Television

  • Carlos
  • The Pacific
  • The Pillars of Earth
  • Temple Grandin
  • You Don’t Know Jack

Best Performance by an Actor in a Mini-Series or a Motion Picture Made for Television

  • Idris Elba for Luther
  • Ian McShane for The Pillars of the Earth
  • Al Pacino for You Don’t Know Jack
  • Dennis Quaid for The Special Relationship
  • Edgar Ramirez for Carlos

Best Performance by an Actress in a Mini-Series or a Motion Picture Made for Television:

  • Hayley Atwell for The Pillars of the Earth
  • Claire Danes for Temple Grandin
  • Judi Dench for Return to Cranford
  • Romola Garai for Emma
  • Jennifer Love Hewitt for The Client List

Best Performance by an Actor in a Television Series: Musical or Comedy

  • Alec Baldwin for 30 Rock
  • Steve Carell for The Office
  • Thomas Jane for Hung
  • Matthew Morrison for Glee
  • Jim Parsons for The Big Bang Theory

Best Performance by an Actress in a Television Series: Musical or Comedy

  • Toni Collette for United States of Tara
  • Edie Falco for Nurse Jackie
  • Laura Linney for The Big C
  • Tina Fey for 30 Rock
  • Lea Michele for Glee

Best Performance by an Actor in a Television Series: Drama

  • Steve Buscemi for Boardwalk Empire
  • Bryan Cranston for Breaking Bad
  • Michael C. Hall for Dexter
  • Jon Hamm for Mad Men
  • Hugh Laurie for House M.D.

Best Performance by an Actress in a Television Series: Drama

  • Julianna Margulies for The Good Wife
  • Elizabeth Moss for Mad Men
  • Piper Perabo for Covert Affairs
  • Katey Sagal for Sons of Anarchy
  • Kyra Sedgwick for The Closer

Best Performance by an Actor in Supporting Role in Series, Mini-Series or Motion Picture Made for Television

  • Scott Caan for Hawaii Five-0
  • Chris Colfer for Glee
  • Chris Noth for The Good Wife
  • Eric Stonestreet for Modern Family
  • David Strathairn for Temple Grandin

Best Performance by an Actress in a Supporting Role in a Series, Mini-Series or Motion Picture Made for Television

  • Hope Davis for The Special Relationship
  • Jane Lynch for Glee
  • Kelly Macdonald for Boardwalk Empire
  • Julia Stiles for Dexter
  • Sofia Vergara for Modern Family

And that’s it! There weren’t too many surprises, except in the Best Motion Picture: Musical or Comedy category. I can understand Burlesque because it is like the only musical to come out this year, but The Tourist? Granted, I haven’t seen it, but I find it hard to believe that a film that got a 20% from RottenTomatoes.com could end up being nominated for best comedy. And is it a comedy? What about Alice in Wonderland? I thought it was just okay and visually great, but it really fell short as a comedy and it was most definitely not a musical. I also thought the acting nominations in the comedy category tended to stick to known names rather than actually looking for solid comedic performances.

For television, while I am not a fan of the current seasons of the dramas that were nominated (sans Mad Men), they do make sense compared with the competition. I think Mad Men will sweep just about all dramatic categories.

What do you all think? Did they get it right this year or not?

 

AFI Releases Their List of Top Ten Films of 2010

13 Dec

The American Film Institute (AFI) just released their annual list of Top Ten Films and probably to the surprise of weeping teenage girls, who think that AFI, the band, was releasing their top ten films, Twilight:Eclipse was not included. Ok….that was a little low and probably uncalled for, and I am sure they will  make up for their disappointment with the MTV Movie Awards. Here are the AFI’s Top Ten Films of 2010:

Special Awards:

While some of the films I still need to see, I agree with most of them. I would say that the only one that I disagree with right now is Winter’s Bone. I thought that it was a solid film, with a great performance by a young Jennifer Lawrence, but I wouldn’t say that I would place it in the top ten of the year.

But, that is just my opinion. What is yours? What are your top ten for the year? Pac and I will be putting out our yearly awards soon. Look for them to come out in a couple of weeks.

Opening This Week (Nov 29 – Dec 5, 2010)

29 Nov

After a week long of stuffing my face full of delectable food and trying to drown out the incessant racket of the excessive playing of “Frost the Snowman” and “Jingle Bells”, I have returned to bring you the weekly movie report. I am going to avoid the long intro and just roll right into it:

Warrior’s Way

Rated: R

Starring: Dong-gun Jang, Kate Bosworth, Geoffrey Rush, Danny Huston

Director: Sngmoo Lee

Synopsis from IMDB:  A warrior-assassin is forced to hide in a small town in the American Badlands after refusing a mission.

Trailer:

Chris’ Take: Ninjas falling from the sky!!! A story that will make absolutely no sense!!! Ninjas jumping up from the ground!!! Look shiny-flashy sword!!! You probably noticed three out of four of those statements, which is what the trailer was intending. While this will be an incredibly visual film, the plot will probably be too dumb to ignore and not be worth trudging through to see all the great visuals that you already saw in the previews.

I Love You, Phillip Morris

Rated: R

Starring: Jim Carrey, Ewan McGregor, Leslie Mann

Director: Glen Ficarra, John Requa

Synopsis from IMDB: Steven Russell is happily married to Debbie, and a member of the local police force when a car accident provokes a dramatic reassessment of his life. Steven becomes open about his homosexuality and decides to live life to the fullest – even if it means breaking the law. Steven’s new, extravagant lifestyle involves cons and fraud and, eventually, a stay in the State Penitentiary where he meets sensitive, soft-spoken Phillip Morris. His devotion to freeing Phillip from jail and building the perfect life together prompts Steven to attempt and often succeed at one impossible con after another.

Trailer:

Chris’ Take: After being shelved for a while, this film finally comes to light and it doesn’t look as funny as it was touted to be. I am trying to avoid using some puns here to describe the humor. Anyway, it looks to be mildly entertaining and very topical.

Black Swan

Rated: R

Starring: Natalie Portman, Mila Kunis, Barbara Hershey, Vincent Cassel

Director: Darren Aronofsky

Synopsis from IMDB: A thriller that zeros in on the relationship between a veteran ballet dancer and a rival.

Trailer:

Chris’ Take: Darren Aronofsky delves into the rarely used psychological ballet thriller with his latest endeavor. At the beginning of the fall season I said that this film was one of my five most anticipated films of the season and from the early reviews, it looks like it won’t disappoint. With Aronofsky it will no doubt be simultaneously visceral and beautiful (Natalie Portman will also contribute to the latter of those two attributes) and will feature the return of an actress that I couldn’t care less about since she tried to ruin Hoosiers, Barbara Hershey. From the looks of it, this film will garner a lot of buzz for Oscar season.

LIMITED RELEASES

All Good Things

Rated: R

Starring: Ryan Gosling, Kirsten Dunst, Frank Langella, Phillip Baker Hall

Director: Andrew Jarecki

Synopsis from IMDB: All Good Things is a love story and murder mystery based on the most notorious unsolved murder case in New York history. The original screenplay uses newly discovered facts, court records and speculation as the foundation for an imaginative spellbinding story of family, obsession, love and loss.

Trailer:

Chris’ Take: The trailer for this film looks solid and I like both Gosling and Langella, but the early reviews have been mixed. Rottentomatoes has it at 17% with only 6 reviews in, but IMDB has it with an average rating of 7.1 out of 10. So, I don’t know if I can say that this will be worth a look yet. I think I will probably add this to my Netflix queue early next year when it will be out on DVD.

Applaus

Rated: R

Starring: Paprika Steen, Michael Falch

Director: Martin Zandvliet

Synopsis from IMDB: When the critically acclaimed, tough and coming of age actress Thea Barfoed ends her rehab, she confronts a hard choice. During her heavy drinking period she divorced and lost custody of her two boys. Now she wants them to be a part of her life again. Christian, her ex husband is quickly softened by her tough manipulative but charming figure and agrees. She has to prove to her self and to him, that she is worth the try. But the hard life on stage, and the ghosts of the past slowly comes knocking on her door. Thea is forced to face her inner voices. She is bound to give in to her faith, and make the choice.

Trailer:

Chris’ Take: Looks to be a simple, but powerful look at the consequences that stem from personal mistakes and accepting responsibility. While this will probably be hard to find at a theater, this looks like it could be a very interesting film.

Natalie Portman for Alien Prequel?

13 Oct

Entry by: Brian “Pac” Sostak

Natalie Portman is probably my favorite actress in Hollywood, not only is she gorgeous but she has an intelligence and a talent that far surpasses most actresses her age on screen today.  So you can imagine how excited I was when I read the rumor that Portman is rumored to play the lead in the upcoming Alien prequel which is to be directed by the original Alien director Ridley Scott

Anyone who has read my post: Top 10 Horror Movie of All Time knows that how much I enjoy Alien and how I think it far surpasses all of its sequels (including James Cameron’s Aliens).  With Ridley Scott returning to direct the prequel I hope that the franchise can return to its roots of a sci-fi horror film.  Ridley Scott is an exceptional director with a lot of great films to his credit (American Gangster, Black Hawk Down, Gladiator, and Thelma & Louise just to name a few), and while I do think sometimes his films can get a little long in the tooth (i.e. Robin Hood), sci-fi is his best genre and since he hasn’t done a true sci-fi film since Blade Runner, I’m excited to see him return to it. 

The Alien franchise has been carried by Sigourney Weaver for four installments and Natalie Portman is the perfect actress for Ripley to pass the torch on to.  Portman’s exposure will probably be at an all time high after the releases of Black Swan (which will probably earn her critical success) and Thor (which will earn her box office success), attracting a broader audience to the movie and giving it a very credible star.  This last point is important to this films success, with so many sequels, prequels, and remakes hitting the theaters recently, this film could have gotten lost as another rehash trying to milk the cash cow.  However, add Portman’s name to the billing along with Ridley Scott returning to direct the franchise he created and I think this film will compete for my must see movie of 2011 (if it makes a 2011 release).

In the meantime enjoy this SNL short starring Natalie Portman:

My Top 5 Anticipated Fall Movies

1 Sep

It’s September now and pretty soon it will start getting cooler and the popcorn movies will have gone stale. We are coming up on the Fall movie season, which promises a number of films trying to vie for Oscar contention. These are the films that I am most looking forward to this Fall (in order of release date).

#5 ” THE TOWN”/ Release Date: September 17th (Wide)

Starring: Ben Affleck, Jeremy Renner, Blake Lively, Jon Hamm

Directed by: Ben Affleck

Plot Summary from IMDB.com: “As he plans his next job, a longtime thief tries to balance his feelings for a bank manager connected to one of his earlier heists, as well as the FBI agent looking to bring him and his crew down.”

TRAILER:

This film is Ben Affleck’s sophmore directorial release, following his directorial debut of “Gone Baby Gone” in 2007. “Gone” did incredibly well with critics (scoring 94% on Rotten Tomatoes) as an artistic and character driven piece, featuring great performances from Casey Affleck and Amy Ryan. “The Town” promises to deliver a similar result, this time boasting the producers of “The Departed” and co-starring Jeremy Renner. The only thing that worries me is that Ben Affleck will be starring this time and I hope he can deliver as strong of a performance as his brother did in “Gone”.

#4 “BURIED“/ Release Date: October 8th, 2010 (Wide)

Starring: Ryan Reynolds

Directed by: Rodrigo Cortes

Plot Summary from IMDB: “Paul is a U.S. contractor working in Iraq. After an attack by a group of Iraqis he wakes to find he is buried alive inside a coffin. With only a lighter and a cell phone it’s a race against time to escape this claustrophobic death trap.”

TRAILER:

“Buried” premiered at the Sundance Film Festival in January to great critical reception and it definitely boasts a “less is more” premise. I am excited to see what Ryan Reynolds can do in a dramatic role, especially since he really is going to have to carry this whole movie. Based on early reviews, Reynolds, and the film as a whole, does not disappoint.

#3DUE DATE“/ Release Date: Nov 5, 2010 (Wide)

Starring: Robert Downey Jr., Zach Galifianakis

Directed by: Todd Phillips

Plot Summary from IMDB: “High-strung father-to-be Peter Highman is forced to hitch a ride with aspiring actor Ethan Tremblay on a road trip in order to make it to his child’s birth on time.”

TRAILER:

Todd Phillips follows up his success of “The Hangover” with another Zach Galifianakis collaboration. The odd couple road trip idea has been done before, but based on the previews it looks like Galifianakis and Downey Jr have great on-screen chemistry. Let’s hope that Phillips can get another streak of success going and not deliver another “School of Scoundrels” dud.

#2 “Harry Potter and the Deathly Hallows: Part I”/ Release Date: Nov 19, 2010 (Wide)

Starring: Daniel Radcliffe, Ralph Fiennes, Rupert Grint, Emma Watson

Directed by: David Yates

Plot Summary from IMDB: “Voldemort’s power is growing stronger. He now has control over the Ministry of Magic and Hogwarts. Harry, Ron, and Hermione decide to finish Dumbledore’s work and find the rest of the Horcruxes to defeat the Dark Lord. But little hope remains for them, so everything they do must go as planned.”

TRAILER:

It’s the first part of the final installment of the Harry Potter series. Do I need to say more?

#1 “Black Swan”/ Release Date: Dec 1, 2010 (Wide)

Starring: Natalie Portman, Mila Kunis

Directed by: Darren Aronofsky

Plot Summary from IMDB: A thriller that hones in on the relationship between a veteran ballet dancer and a rival.

TRAILER:

Based on the plot summary I would have said, “Um, okay….”, but then I dug into the cast. Natalie Portman, great actress, who generally picks her movies very well. Mila Kunis, she is starting to come into her own after “That 70’s Show” and is great at playing someone who seems mentally unstable. Then came the kicker, the film is directed by the brilliant Darren Aronofsky (“Requiem for a Dream“, “Pi“, “The Wrestler“) and I immediately had to find the trailer and it looked beautiful. This film immediately became on of my most anticipated for this fall season.

HONORABLE MENTION:

#1 “Devil”/ Release Date: Sep 17, 2010 (Wide)

WHY IT DIDN’T MAKE THE FINAL CUT: Even with an intruiging preview I am still hesitant to get excited by something boasting, “From the mind of M. Night Shyamalan“. Still, he could make a comeback with this one and he is not directing it, which might work to his favor.

#2 “The Tempest”: Release Date: Dec 10, 2010 (Limited)

WHY IT DIDN’T MAKE THE CUT: Julie Taymor, a visually arresting director, has her fourth big screen release and her second based on a Shakespeare play. As an English major, I was thoroughly impressed with her depiction of Shakespeare’s play “Titus” and the creative wit she displayed. However, I am hesitant to get excited about it due to the fact that Prospero will become “Prospera” and many times she focuses too much on the visuals without constructing a solid story.

#3 “Paranormal Activity 2″/ Release Date: Oct 22, 2010 (Wide)

WHY IT DIDN’T MAKE THE CUT: “Paranormal Activity”, in my opinion, was one of the best horror films in recent history. I am afraid that the premise of home video technology and special effects will be overused, or be replaced by too much CGI. I am also worried that kind of how “Saw” spawned an excessive number of sequels, this will become a franchise like that as well.

Now that I have rambled about what I am looking forward to. What are you most looking forward to this fall?