Tag Archives: Mel Gibson

TAKE TWO: The Hangover Part II

2 Jun

The Hangover Part II

Rated: R

Starring: Bradley Cooper, Zach Galifianakis, Ed Helms, Ken Cheong

Director: Todd Phillips

Chris’ Take:  I have to say that my expectations for this film were low even before I started reading the early reviews, and honestly, I think that helped. Plus, Pac and I went to a new movie theater near us that served alcohol…that probably helped more.

Beer! Making dumb comedies funnier since 1932.

The Wolfpack reunites in this sequel to the R-Rated comedy smash of 2009,  this time for Stu’s (Ed Helms) wedding in Thailand. Trying not to repeat the mistakes of the past, the gang simply has a one beer bachelor party down on the beach with Stu’s fiance’s younger brother, Teddy, but then wake up in a deserted hotel room in downtown Bangkok and Teddy is nowhere to be found. They now have to put all the pieces from the night before back together, so they can find him and make it back in time for Stu’s wedding.

A lot of critics came out and said that the film is beat for beat like the first one, and while the “formula” (even Todd Phillips calls it that) is very similar, I thought there was just enough disparity to make it at least an entertaining, albeit almost completely forgettable (no pun intended), experience.

As a whole, this really felt like Todd Phillips buying some time before making a completely different film for a third installment; kind of anticipating the demand for them. The jokes were mainly situational in nature, as opposed to the wittier dialogue in the first one. Phillips seemed to rely heavily on sight gags and somebody making a silly face while simply describing the ludicrous scene unfolding before them.

The highlight of the film is Galifianakis, who returns to his usual comedic form as Alan, and his character is what really keeps people entertained. Whether it is staring awkwardly, or his insecurity about his idiocy, he steals the scene. Unfortunately, after about the first forty-five minutes of the movie, he kind of fades into the background and only pops his head up in befuddlement occasionally, like he was expecting to be in a different movie.

While the plot is ridiculous in and of itself, and felt incredibly contrived just to get back to the same storyline, for this kind of film it isn’t really important. We all know where it is going to end up and that it will eventually have a happy ending. However, these people never really seem to grasp the depth of the consequences for their debauchery, which seems even more implausible than the actual plot. They just roll from one problem to the next, laugh and forget about all the traumatic events that just occurred, and keep moving like they never happened.

The film really isn’t that bad, or at least it wasn’t after my lowered expectations (and higher beer intake). Will it be a film that people remember? Probably not. If they saw it, I’m sure there are images that are forever engrained in their head, but the context and dialogue around them will be hazy; kind of like an actual hangover.

If that was Todd Phillips' intention, maybe this is just a misunderstood work of art.

OVERALL: B-

Pac’s Take:   Just because The Hangover part II was on my ten most anticipated films of the summer as well as my most anticipated films of 2011 doesn’t mean that I thought this was going to be a great movie.  Like Chris, my expectations for the movie were modest, though probably slightly higher, but I thoroughly enjoyed the first film and knew come its release I’d be in the mood for a follow up.

After a few pitchers I was set to watch the debauchery unfold as Alan, Stu, and Phil headed to Thailand to repeat the antics of the first film, hopefully in more grandiose fashion.  I was not disappointed.  Despite the film following the same formula as the first film, as Chris, Todd Phillips, Cracked.com and virtually every other opinionated voice pointed out, the formula worked the first time around as well as for the sequel.  While following the formula may have made some antics in the film more predictable and thus less funny due to a decreased shock value, it was apparent that Phillips was aware of this and threw in a few (albeit disgusting) shocks to fill those voids (no pun intended).  At times this did feel a little cheap, but I think for the most part it was handled well considering the circumstances.

I’m on record on this site stating that I supported the dismissal of Mel Gibson from this film and I was excited when I heard he was to be replaced by Liam Neeson.  Unfortunately, Neeson did not appear in the film either, and the lack of cameos actually hindered the film.  After viewing the scene which was supposed to feature Gibson, then Neeson, I would like to retract my previous stance and am disappointed Mel Gibson did not appear as Stu’s tattoo artist.  Normally, the featuring of celebrity cameos comes off as a cheap stunt that inhibit’s a movie’s progress in quality, pacing, and plot, but the presence of Mike Tyson and Heather Graham among others provided the original with memorable moments that the follow-up is sorely lacking.

 

Wiley Whiplash also dropped out due to scheduling conflicts

 

I mostly agree with Chris’s assessment of the film, and in the interest of our readers, do not feel the need to be redundant.  However, there is one aspect of the film that Chris briefly touched on that still has me irritated.  It is absurd that these characters can get themselves into these tumultuous situations without any real consequence.  It is difficult to go into specific detail without providing any spoilers so I will simply leave it as this (those of you who have seen the film will most likely understand).

Overall I give The Hangover part II a B- as well.

Opening This Week (2 – 8 May, 2011)

2 May

Well, Fast Five proved again that brand names, even if the premise is a bit tired, are still the cash cows in Hollywood. The fifth installment of the adrenaline and slow-motion-booty-walk-fueled series raked in an impressive $83.6 million dollars over the weekend, an April record. It left its competition in the dust. The closest competitor, Rio, was oh….just $70 or so million behind that. A couple of factors might have contributed to its huge box office. 1) The word on the street was this was the best in the series so far (which is not saying that much). 2) The miserable offerings at the box office so far this year made this movie look good by comparison and all those people hiding from the movies this year finally showed up. But, with the summer movie season officially starting this weekend, its victory lap may be short lived.

Thor

Rated: PG-13

Starring: Chris Hemsworth, Natalie Portman, Tom Hiddleston, Anthony Hopkins

Director: Kenneth Branagh

Synopsis from IMDB: The powerful but arrogant warrior Thor is cast out of the fantastic realm of Asgard and sent to live amongst humans on Earth, where he soon becomes one of their finest defenders.

Trailer:

Chris’ Take: Thor is probably the comic-book-character-turned-movie that I know the least about, which probably sullied my excitement for this movie until I started reading the early reviews (55 reviews in now and it is at 95% on RT). Kenneth Branagh directs, which does and doesn’t make sense to me at the same time. Thor seems to have Shakespearean undertones, which is right up his alley, but at the same time Branagh didn’t seem like a logical choice for a blockbuster action flick. I’m excited to see what he does with it, especially since a lot of the reviews have garnered him some high praise.

 Something Borrowed

Rated: PG-13

Starring: Kate Hudson, John Krasinski, Ginnifer Goodwin, Caleb Egglesfield

Director: Luke Greenfield

Synopsis from IMDB: Friendships are tested and secrets come to the surface when terminally single Rachel falls for Dex, her best friend Darcy’s fiancé.

Trailer:

Chris’ Take: Looks like nothing new or innovative. I really feel bad for John Krasinski, who I want to see break away from romantic comedies and do something a little bit more risky and interesting. Until then, he will forever be known as “Jim”.

The Beaver

Rated: PG-13

Starring: Mel Gibson, Jodie Foster, Anton Yelchin, Jennifer Lawrence

Director: Jodie Foster

Synopsis from IMDB: A troubled husband and executive adopts a beaver hand-puppet as his sole means of communicating.

Trailer:

Chris’ Take: While Mel Gibson may be one of the most hated people on the planet, he still is a superb actor and I think this type of role would be exactly what he needs to get back into the good graces of the public. It is receiving mixed reviews right now (57% on RT), but hardly any of them are negative about Gibson’s performance. I notice that the studio moved its release date back, to allow it to get buried amongst the early summer releases, as opposed to getting more of a spotlight in the March timeframe. I don’t necessarily think that this will be a good movie, but I think it has a lot of potential as an interesting character study.

Limited Releases

Hobo With a Shotgun

Rated: Unrated

Starring: Rutger Hauer, Molly Dunsworth, Brian Downey, Gregory Smith

Director: Jason Eisener

Synopsis from IMDB: A homeless vigilante blows away crooked cops, pedophile Santas, and other scumbags with his trusty pump-action shotgun.

Trailer (caution: strong language, excessive violence) :

Chris’ Take: I took one look at the poster and said:

Hmmm...seems legit.

The film was released at the Sundance Film Festival to strong reviews (currently 88% on RT), banking on the success of the re-emergence of Grindhouse throwbacks. If you don’t take this film seriously, it  could be a bloody awesome and disturbing ride.

Last Night

Rated: R

Starring: Keira Knightley, Eva Mendes, Sam Worthington

Director: Massy Tadjedin

Synopsis from IMDB: The story follows a married couple, apart for a night while the husband takes a business trip with a colleague to whom he’s attracted. While he’s resisting temptation, his wife encounters her past love.

Trailer:

Chris’ Take: Last Night has a very similar look and feel to Closer.

It may also be that I keep getting Natalie Portman and Keira Knightley confused.

With a 63% on RT, it is probably a safe bet for an intriguing drama. At the same time 63% also probably means that it only scratches the surface of the issues presented, rather than fully fleshing them out. I would wait for Netflix for this one.

Passion Play

Rated: R

Starring: Megan Fox, Bill Murray, Mickey Rourke

Director: Mitch Glazer

Synopsis from IMDB: An angel under the thumb of a ruthless gangster is saved by a trumpet player down on his luck.

Trailer:

Chris’ Take: Ummmmm…what? Megan Fox is the last person I would expect to play an angel, but I guess they got her while she was desperate to find another movie to do. It is kind of cool to see Bill Murray play a ruthless role, rather than the sardonic hero, but something about this film is a bit off. It looks original, I will give it that and it could be interesting, but there aren’t any early reviews hinting one way or the other. You are probably taking your chances with this one, but it  could pay off.

Top 15 Alien Invasion Movies

11 Mar

To celebrate the release of Battle: Los Angeles releasing in theaters today, we’ve decided to take a look back at some of the best alien invasion movies ever released.  Ranging from horror to action to even comedy, these fifteen films (we couldn’t limit it to just 10) represent the best that hollywood has to offer when it comes to alien invasion.

15. Signs (2002)

Kicking things off on this list is M. Night Shyamalan’s last halfway decent film. Certainly not any great achievement in film, or the alien invasion genre, but it was effective and better than a lot of other efforts. What was different about this film than others on this list, is that it brought a sense of claustrophobia to the alien invasion, making the characters’ world smaller and smaller until it seems like there is no way out. Most invasion flicks try to show devastation on a massive scale, but Shyamalan smartly sticks to making this a very character driven story and pulls it off for the most part.

By character driven, I mean it drove its lead actors to eventually go insane.

14. The Faculty (1998)

Mixing alien invasion with 1990’s teen slasher, The Faculty is a very underrated and often overlooked movie when talking about the teen slasher.  Written by Kevin Williamson (Scream, I Know What You Did Last Summer) and directed by Robert Rodriguez (From Dusk ’til Dawn, Sin City), The Faculty is a well written and well-directed horror film with a unique and entertaining concept, Despite the genre and the incredibly cliche movie poster.

This film’s story is enhanced by a cast littered with current future stars of its time including: Josh Hartnett, Jordana Brewster, Clea DuVall, Salma Hayek, Famke Jannsen, Christopher McDonald, Usher Raymond, Jon Stewart, and Elijah Wood.  As an added bonus for those of you watching the film as a repeated viewing; see how many Terminator franchise references you can pick up on, there are quite a few.

Pictured: Dr. Edward Furlong

13. The Day the Earth Stood Still (1951)

Sci-fi seems to work best when it fights the system. While this film is not very subtle about it, in the 1950’s it took a lot of grit to criticize society. In 1951, The Day the Earth Stood Still brought a new tent pole for the science fiction genre, even if now its special effects look like they would be fodder for Mystery Science Theater 3000.

Subtlety wasn't invented until the 1960s

To me, this was like the Citizen Kane of science fiction, great in its time, changing the genre forever, but it still has its flaws in story and acting. The updated version fails to have the effect that the original did, even with spectacular special effects, because its overt environmental message is no longer considered cool or subversive; all the guts that made the first one so great were removed.

12. Killer Klowns from Outer Space (1988)

B-movie entertainment at its best, Killer Klowns… is a 1988 horror film that follows a town as they are being invaded by aliens disguised as clowns.  This film never deviates from its identity and is humorous and entertaining the entire way through.  Killer Klowns from Outer Space has develop a cult following over the past 20+ years and rightfully so.  Despite being a product of the 1980s and having a paltry 2 million dollar budget, the film has more camp in its story than it does in effects, and the costumes are actually quite terrifying, especially if you are afraid of clowns.

Good luck sleeping tonight

11. War of the Worlds (2005)

This version of the classic H.G. Wells story made the list because even if there is almost no depth to it, Stephen Spielberg sure knows how to make an exciting film. Sure, Tom Cruise is not convincing as a guy that works on the docks.

Hey guys, after we are done this back breaking work maybe we could head down to the local bar establishment and get some glasses of beer.

Ok, Dakota Fanning is annoying as hell and I would have been content to watch the aliens eviscerate her into an ashy mist, but man this movie looks cool. While normally excessive use of special effects means that something gets lost in the story, Spielberg still was able to make the story cohesive, even if it wasn’t anything spectacular.

10. Monsters (2010)

The alien invasion in Monsters is more of just a backdrop for the rest of the film.  The aliens are barely seen on-screen and are nothing more than a device that drives the plot.  This film focuses almost solely on its two main characters and their relationship as they travel through an infected zone in Mexico back to the United States.  The success of this film is driven by the two lead actors and the chemistry they have as their on-screen relationship develops.  A disappointment if you are expecting an epic invasion piece or a horror film as the title may suggest; but the cinematography and delivery of this film’s story is incredibly impressive considering the paltry budget that constrained it.

(If you want more on Monsters, check out the Weekend Film Recommendation from March 4, 2011.)

9. War of the Worlds (1953)

War of the Worlds banked a lot of its success off the popular trend of alien films in the 1950’s. What makes it better than the other films in that era is that it really tried to set itself apart from the others by breaking away from the stereotypes (i.e. saucer shaped UFOs and garishly clad aliens) to really bring a sinister new look to the alien invasion film.

Well...sinister for 1953.

The film, for as good as they could in 1953, really developed one of the first epic-scale productions of its time. Writer and Director, Barre Lyndon and Byron Haskin, took some creative liberties with the story, but they made sure they were good ones, which only added to the mystique of this famous story.

8. District 9 (2009)

While there is some debate as to whether this truly is an “alien invasion” film, you can make arguments on either side, but there are enough elements to include it in this list. Completed on a very modest budget, Neill Blomkamp burst onto the cinema industry with a sci-fi masterpiece. His special effects were superb for such a low-budget and gave the film a very real feel. Plus, as mentioned earlier, it used the sci-fi genre as a platform for a subversive message, just subtly enough that it didn’t get in the way of the story. Blomkamp also benefitted from a great performance by Sharlto Copley as the protagonist and all those elements combined to garner a Best Picture nomination in 2010.

7. Mars Attacks (1996)

One of the two pure comedy/satires on this list, taste dictates which of the two is more deserving of the higher ranking.  Less popular and far less acclaimed (51% on Rotten Tomatoes as opposed to 91%), Mars Attacks is the sleeper of the two.  Tim Burton’s most underappreciated work, probably because it doesn’t look at all like a Tim Burton movie, this film is laugh out loud funny all the way through.  Aside from Tim Burton, Mars Attacks features an incredible ensemble cast featuring:  Glenn Close, Annette Benning, Pierce Brosnan, Danny Devito, Martin Short, Sarah Jessica Parker, Michael J. Fox, Tom Jones (yes that Tom Jones), Jim Brown (yes that Jim Brown), Natalie Portman, Pam Grier, Ray J (yes that Ray J), Christina Applegate, Lukas Haas, Jack Black, and Jack Nicholson.

And possibly an uncredited Johnny Depp

6. Men in Black (1997)

Men in Black parodied a lot of the films already mentioned in this list and featured the great comedic chemistry of loudmouth Will Smith and deadpan Tommy Lee Jones. The film was a box office and critical success, spawning a disastrous sequel and another sequel coming soon. What it lacks in suspense, it makes up for with witty one liners and delightful sight gags, and it still manages to pay homage to some of the sci-fi greats. The gadgets and special effects used were pretty cool as well and made for several toys that every kid wanted for Christmas.

5. Invasion of the Body Snatchers (1978)

The 1978 remake of the 1956 classic, this version updates the classic with more chilling suspense and a stellar cast.  Donald Sutherland is the headliner here but there are plenty of other names and faces you might recognize including Jeff Goldblum, Leonard Nimoy, Veronica Cartwright, and Robert Duvall in an uncredited role.  Invasion of the Body Snatchers is a chilling horror film about alien pods invading and taking over the human race creating drones devoid of emotion.  Not only known for its horror and unforgettable closing sequence, …Body Snatchers provides both humor and satire giving the film added depth.

4. Independence Day (1996)

This has become the film that immediately comes to mind when someone thinks of an alien invasion film. Utter devastation, iconic and ominous imagery, cheesy one liners and speeches that will be parodied for years to come.

Bill Pullman, the most inspiring and reckless president of all time.

While by no means a “great” film, it encompasses all the elements people look for when they go to a summer blockbuster. Roland Emerich somehow knew how to make everything work and use static characters in a good way to create a film that is just plain fun.

3. Superman II (1980)

Superman II may seem out-of-place on this list, but it certainly is worthy of ranking #3 among the best alien invasion movies of all time.  The follow-up to Richard Donner’s Superman: The Movie, this film follows Clark Kent/Superman as he grapples with his immortality and falling in love for Lois Lane.  Meanwhile, three Kryptonian villains led by General Zod (the alien invaders) escape from the Phantom Zone and come to Earth looking both to rule and to destroy Kal-El.

Featuring Christopher Reeve as Superman, Gene Hackman as Lex Luthor, and Terence Stamp as General Zod, Superman II is considered by many to be the best superhero movie ever made and the best film Richard Donner never made.  The Richard Lester credited theatrical version is the easiest to find and is a good film, but Superman II really belongs to Richard Donner and Mario Puzo.  If you can track down the Richard Donner cut released to DVD in 2006.

The Superman movie Richard Lester actually directed

2. Predator (1987)

The predator is an alien invader/warrior inhabiting the Central American jungle, that is until Arnold comes along.  Almost 25 years after this movie was released, the predator is now a staple in American pop-culture with the film spawning 4 franchise sequels (Predator 2, Alien vs. Predator, AVP: Requiem, and Predators).  None of those films come close to the original that blends both action/adventure with horror and suspense to create one of the best alien invasion movies ever.  Arnold delivers better in this film than any other mainly because he doesn’t ham it up with one-liners or cheap jokes, and an identifiable supporting cast including Carl Weathers (Rocky) and Jesse Ventura rounds out the action mix.

1. The Thing (1982)

John Carpenter is horror genius and this film is one of his best, and coincidentally tops the list of best alien invasion films. It does not accomplish this through devastating large cities or cool technology, it does it through disturbing make up and sheer cut-the-tension-with-a-knife paranoia. While this was not the original, but a remake, it certainly took the premise and ran with it. He combines the elements of sci-fi and horror so effectively that it leaves the viewer in awe. The ending, which I will not spoil, still leaves the audience left with the feeling of dread hanging over their heads and weighing heavy upon them. If you haven’t seen it is definitely worth a viewing…or two.

More than half of these movies are currently available on Netflix Instant (click on each title to add to your instant queue):

***Trailer Time*** Mel Gibson Makes His Return to the Screen

6 Dec

After his maniacal rants this summer made him the most hated man in Hollywood, Mel Gibson is returning to the big screen in Jodie Foster‘s The Beaver. The production for this film was already in place before the recordings of his phone conversations were released and for a little while this project was shelved.

The Beaver, a film about a depressed man who finds comfort in a beaver puppet and makes strides to return to normalcy, might be a symbolic film for Gibson to make his return with. Here is the trailer for your viewing pleasure:

What are your thoughts? Are you ready for Mel to come back?

Mel Gibson’s Hangover 2 Cameo Cancelled

22 Oct

Earlier this week, the news came out that Mel Gibson would be appearing as an eccentric tattoo artist in the upcoming film The Hangover 2. The cameo what was probably designed  as a PR stunt similar to that of Mike Tyson appearing in the first film. The day before Gibson was slated to shoot, director Todd Phillips pulled the plug.

There has been a lot of speculation as to why this happened so late in the game and Phillips had this to say about it, ” I thought Mel would have been great in the movie and I had the full backing of [WB president] Jeff Robinov and his team. But,  I realize filmmaking is a collaborative effort, and this decision ultimately did not have the full support of my entire cast and crew.”

According to TMZ, Phillips had let his cast and crew know that Gibson would appear in the film over a month ago and that they seemed onboard. However,  the problem came when the news was released earlier this week and cast and crew members started receiving pressure from friends and family to get it cancelled. There were apparently some cast and crew members that were very vocal about it, but Phillips didn’t name anyone in particular.

The speculation is that Zach Galifianakis was one of the loudest objectors, due to a recent interview he had on a Comedy Death-Ray podcast

Galifianakis

when he said, ” I’m in a deep protest right now with a movie I’m working on, up in arms about something. But I can’t get the guys to [listen]… I’m not making any leeway.” This is obviously all speculation because he never names the film he is talking about, but he hasn’t come out and denied it either.

I think the whole Mel Gibson situation is sad. I in no way condone what he has done off the screen recently, but it is clear his life is a mess and he needs some serious help. I hate to see such a great actor go down like this, but at the same time I can’t really feel bad for him. I think that if he was signed on to be a part of the film, the studio should have stuck with it, and that they approached this the wrong way by axing him at the last second. But, other than that, I really don’t have any further comment on the situation.

Do you think this was the right move by Phillips? Should Gibson get a chance to redeem himself on the big screen?