Tag Archives: true grit

New to Blu Ray DVD the Past Few Weeks (June 07, May 31, and May 24)

9 Jun

I realize that I have fallen behind in keeping our readers up to date with what is being released to home video the past couple of weeks, and for that I apologize.  Unfortunately, life gets in the way sometimes.  Here are the new releases for the past three weeks; in the interest of keeping the length of this post down I’ve only included a brief assessment of whether or not you, the reader, should rent or pass on each film.

Released May 24, 2011:

 Gnomeo and Juliet

Rated: G

Starring: James McAvoy, Emily Blunt and Maggie Smith

Director: Kelly Asbury

Synopsis from IMDB: The neighboring gardens of Montague and Capulet are at war, but the gnomes, Gnomeo and Juliet, are in love.

Trailer:

Pac’s Take: If you have kids under 12 then – Rent.  If not – Pass.

 I Am Number Four

Rated: PG-13

Starring: Alex Pettyfer, Timothy Olyphant and Dianna Agron

Director: D.J. Caruso

Synopsis from IMDB: John is an extraordinary teen, masking his true identity and passing as a typical high school student to elude a deadly enemy seeking to destroy him. Three like him have already been killed … he is Number Four.

Trailer:

Pac’s Take: Very low rental

 Burning Palms

Rated: R

Starring: Jamie Chung, Zoe Saldana and Rosamund Pike

Director:  Christopher B. Landon

Synopsis from IMDB: A subversive tale that interlaces five stories set in Los Angeles, where no taboo is left unexplored as each character careens toward a dark and often comic fate.

Trailer:

Pac’s Take: I am so perplexed by that trailer, I don’t know what to say.

 The Big Bang

Rated: R

Starring: Antonio Banderas, Thomas Kretschmann and William Fichtner

Director:  Tony Krantz

Synopsis from IMDB: A private detective is hired to find a missing stripper. A simple job turns complicated when everyone he questions ends up dead.

Trailer:

Pac’s Take: Maybe I’ve been playing too much LA Noire, but something about this intrigues me.  I’m going to go out on a limb with this one and say Rent.

Released May 31, 2011:

 Drive Angry

Rated: R

Starring: Nicolas Cage, Amber Heard and William Fichtner

Director: Patrick Lussier

Synopsis from IMDB: A vengeful father escapes from hell and chases after the men who killed his daughter and kidnapped his granddaughter.

Trailer:

Pac’s Take: Despite Nicolas Cage, Rent.

 Biutiful

Rated: R

Starring: Javier Bardem, Maricel Álvarez and Hanaa Bouchaib

Director: Alejandro González Iñárritu

Synopsis from IMDB: Uxbal, single father of two children, finds his life in chaos as he is forced to deal with his life in order to escape the heat of crime in underground Barcelona, to break with the love for the divorced, manic depressive, abusive mother of his children and to regain spiritual insight in his life as he is diagnosed with terminal cancer.

Trailer:

Pac’s Take:  Rent.

Released June 07, 2011

 True Grit

Rated: PG-13

Starring: Jeff Bridges, Matt Damon and Hailee Steinfeld

Director(s): Ethan Coen, Joel Coen

Synopsis from IMDB: A tough U.S. Marshal helps a stubborn young woman track down her father’s murderer.

Trailer:

Pac’s Take: The last of the best picture nominees to be released to home video, Rent.

 Just Go With It

Rated: PG-13

Starring: Adam Sandler, Jennifer Aniston and Brooklyn Decker

Director: Dennis Dugan

Synopsis from IMDB: On a weekend trip to Hawaii, a plastic surgeon convinces his loyal assistant to pose as his soon-to-be-divorced wife in order to cover up a careless lie he told to his much-younger girlfriend.

Trailer:

Pac’s Take: This is not a good movie, but if you like Adam Sandler or looking at Brooklyn Decker and/or Jennifer Aniston it is worth a low rental.

 Sanctum 3D

Rated: R

Starring: Rhys Wakefield, Allison Cratchley and Christopher Baker

Director: Alister Grierson

Synopsis from IMDB: An underwater cave diving team experiences a life-threatening crisis during an expedition to the unexplored and least accessible cave system in the world.

Trailer:

Pac’s Take: If you have the 3D capability to get the full experience of this film at home, then it is probably worth a rental.  For all of us with modest home theater systems, pass.

 Another Year

Rated: PG-13

Starring: Jim Broadbent, Ruth Sheen and Lesley Manville

Director: Mike Leigh

Synopsis from IMDB: A look at four seasons in the lives of a happily married couple and their relationships with their family and friends.

 Trailer:

Pac’s Take: I feel like I’ve seen different incarnations of this movie before, so for me it’s a pass.  However, judging by the trailer and its acclaim, it may be worth a rental for some.

 The Company Men

Rated: R

Starring: Ben Affleck, Chris Cooper and Tommy Lee Jones

Director: John Wells

Synopsis from IMDB: The story centers on a year in the life of three men trying to survive a round of corporate downsizing at a major company – and how that affects them, their families, and their communities.

Trailer:

Pac’s Take: I’m on the fence with this one, but Ben Affleck has impressed me lately – Rent.

Opening This Week (10 – 16 Jan, 2011)

10 Jan

Even though Nic Cage thought he had the box office all to himself during the first week in January, he fell short to not one, but two films, True Grit ($15.0 M)  and Little Fockers ($13.8 M), who were in their third week of release, and raked in a measly $10 million.

Nic Cage spent his salary on booze and a better cardboard box.

I think we can expect to see that significantly drop next week, maybe (hopefully) off the Top Ten, especially since it received an atrocious 4% Tomatometer at RottenTomatoes.com.

This week promises to be a little better, with two great directors putting out some wide releases. Here is what is on the docket for this week:

The Green Hornet

Rated: PG-13

Starring: Seth Rogen, Jay Chou, Cameron Diaz, Christoph Waltz

Director: Michel Gondry

Synopsis from IMDB: Following the death of his father, Britt Reid, heir to his father’s large company, teams up with his late dad’s assistant Kato to become a masked crime fighting team.

Trailer:

Chris’ Take: While it looks a little corny and Mythbusters already beat up its plausibility pretty well (which can be seen here), I have a lot of faith in Michel Gondry. Enough faith that I put The Green Hornet on my 10 Most Anticipated Films of 2011. I really hope Gondry (Eternal Sunshine of the Spotless Mind, The Science of Sleep, and the really cool White Stripes music video) doesn’t let me down on this one, but with his visual innovation and dedication to making good films, I don’t think he will disappoint. If nothing else, it should be entertaining.

The Dilemma

Rated: PG-13

Starring: Vince Vaughn, Kevin James, Winona Ryder, Channing Tatum

Director: Ron Howard

Synopsis from IMDB: A man discovers that his best friend’s wife is having an affair.

Trailer:

Chris’ Take: I am on the fence about this one. Vince Vaughn and Kevin James always seem to play the same people, just transported into different films with different premises, so I am inclined to think that this will be more of the same. However, the trailer was pretty humorous and Ron Howard rarely disappoints.

Emphasis on "rarely"

This one would probably be a pretty safe bet for this weekend.

Limited Releases

Ong Bak 3

Rated: R

Starring: Tony Jaa, Dan Chupong

Director: Tony Jaa, Panna Rittikrai

Synopsis from IMDB: Ong Bak 3 picks up where Ong Bak 2 had left off. Tien is captured and almost beaten to death before he is saved and brought back to the Kana Khone villagers. There he is taught meditation and how to deal with his Karma, but very soon his arch rival returns challenging Tien for a final duel.

Foreign Trailer:

English Trailer:

Chris’ Take: If you watch both of the trailers, they look like two completely different films. If you watch the English one, which is more than a minute shorter, you will think that the whole film is a fight scene involving two elephants and a lot of people, not much a story. The foreign trailer makes a lot more sense and I can’t even understand what they are saying. Apparently, there was an Ong Bak and an Ong Bak 2, but I did not have the privilege of seeing those. If you’re in the mood for some martial arts shenanigans, check out Ong Bak 3, it will deliver the goods.

The Heart Specialist

Rated: Unrated

Starring: Wood Harris, Zoe Saldana, Brian J. White, Mya

Director: Dennis Cooper

Synopsis from RT: A Harvard Medical School graduate (Brian White) arrives for his internship at a hospital in South Florida. When the Chief Resident (Wood Harris) discovers that the Intern has actually come to recapture the girl that got away, he and his girlfriend (Zoe Saldana) conspire to teach a lesson not just about medicine but about true love.

Trailer:

Chris’ Take: Um…..I think I’ll be skipping this one. Considering it was actually released in 2006 only to be silently panned before Zoe Saldana blew up in Avatar, it looks like they are trying to re-release it, hoping to bank a bit on her name recognition now. I couldn’t find any pre-reviews, but out of 63 votes on IMDB, it received a rating of 3.5…..so, view at your own risk.

Barney’s Version

Rated: R

Starring: Dustin Hoffman, Paul Giamatti, Rosamund Pike, Minnie Driver

Director: Richard J. Lewis

Synopsis from IMDB: The picaresque and touching story of the politically incorrect, fully lived life of the impulsive, irascible and fearlessly blunt Barney Panofsky.

Trailer:

Chris’ Take: This film has a great cast, headed up by the underrated Paul Giamatti and looks like it is beautiful and humorous. I think out of the limited releases this week, this should be the one to try to track down.

Pac’s Best/Worst Films of 2010

5 Jan

Yesterday Chris posted his best and worst films of 2010, I decided to give you a day to mull it over, argue amongst friends, leave comments, and/or whatever it is you do.  Today I give you my list of the ten best and ten worst movies of 2010.  Keep in mind, as with Chris’s lists, that these are only the films that I have seen.  We are just fans like you and have to seek out our own means of viewing these films so it was impossible to see every film we would have liked to in 2010 (as well as those we’re forced to or stumble into).  As a bonus though, I’ve included the ten films I wish I would have seen in 2010 both because some of my films overlap Chris’s and I wanted to add something more and because I don’t want anyone saying “how could you have put (blank) over (blank)?” when I didn’t see (blank).

I want to end on a high note so here are my 10 least favorite films from the past year:

10. Let Me In

Right off the bat I’m going with a film that might make most people discredit the rest of my list, it was included in Chris’s 10 best films and it got great reviews, and there are definitely other films I could have put here instead (see honorable mentions) .  Let Me In was saved by great performances from wonderful young actors (and the always enjoyable Richard Jenkins) but the over-the-top cinematography and slow pace ruined any chance of me enjoying this film.  The film was shot way too tight and I spent more time deciphering what I was seeing on-screen and not enough time immersing myself in the film.  I’m a believer that you need to see a film twice to truly gauge its quality (which I haven’t done yet) but for now it remains on my ten least favorite.

9. Alice In Wonderland

Most all Hollywood couples part ways, so why too can’t the “bromances” between actor and director?  Maybe it is time for Tim Burton to move on from Johnny Depp the same way Scorcese moved on from DeNiro to DiCaprio.  I wasn’t able to see this film in 3D (which I heard was disappointing anyway), but none the less the film boasted some great visuals – and nothing else.  Burton’s story of Alice returning to Wonderland lacked substance and character and attempted to disguise it with the awe of visual appeal.  I wasn’t even able to finish this film (meaning it comes in #9 despite me not seeing the infamous dance sequence), and that almost never happens.

8. Leap Year

It is no secret that I am not a fan of the romantic comedy genre (as evidenced here), but I am always willing to give the newest one a shot given the appropriate company.  While most RomComs have ridiculous premises and over-the-top love stories, Leap Year attempted to top them all with its ridiculous premise about a girl who travels to Ireland to propose to her boyfriend on Leap Year only to fall in love along the way.  Amy Adams needs to take cues from actresses like Charlize Theron, you have way too much talent to be wasting it on Romantic Comedies.  If I have to see this film once every four years, it’d be too often.

7. Valentine’s Day

When a movie tries to bank off the success of another film in any other method other than a direct sequel (and many times even that doesn’t work), it is almost destined for failure.  Valentine’s Day clearly tried to use the formula of He’s Just Not That Into You, and take it one step further by including a holiday premise sure to draw in couples to the theater.  Unfortunately, they overlooked the one thing about HJNTIY that actually made it an enjoyable film to watch, a good story.  Valentine’s Day just grabbed as many billable actors as possible, cut them their check and let them check out as they filmed this abomination because they knew the names would be enough to turn a profit.  Hopefully when next years sequel, New Year’s Eve comes to theaters we’ll be a little bit wiser (probably not).

6. My Soul to Take

If Chris gives me credit for convincing him to see The Social Network, then I must too take blame for dragging him to this.  While he and most others would rank this higher on their list of least favorite films of 2010, I saw brief glimpses of what makes Wes Craven the premiere name in the horror genre.  The film lacked so many things including: acceptable performances from its young actors, cohesiveness in the story, and any sort of suspense.  However, after some analysis I determined that it wasn’t the story that was lacking but the execution.  Don’t let me forget that this was the worst 3D that I have seen in any film to date.  Maybe this Wes Craven film will be remade in 20 years like all his others, and this one could actually be improved upon.

5. The Killer Inside Me

I first saw the trailer for this film and immediately thought this was going to be the film that makes Casey Affleck a star.  With two very billable leading ladies (Jessica Alba and Kate Hudson) by his side, the director of a Mighty Heart at the reins, and a compelling story based off a well received book, I had such high hopes for this film.  What I got upon viewing was a shock value film disguised as noir with incredibly slow pacing.  Affleck turns out a good performance in this character piece, as does Kate Hudson but they still couldn’t save this film for me.  However, after spending two hours begging for this film to end I was rewarded with a pretty bad-ass ending, or maybe I was just relieved it was over.

4. Salt

I wasn’t expecting much from this film and didn’t see it til recently, so I can’t say that I was disappointed by it.  Still, Salt was easily the worst of a group of espionage films that were released this year.  Competing with the likes of Knight and Day, Killers, and The Tourist, and trying to live up to the quality of the Bourne series, Salt fell short in almost every aspect.  The performances were weak, the story was boring, the reveal was predictable, and the action was cliché.  Angelina Jolie is quickly becoming an actress whose films I try to avoid; and when Tom Cruise backs out for Knight and Day and is replaced by Liv Shreiber, you’re doomed.

Who Cares?

3. Twilight: Eclipse

The only thing that kept this film from landing any higher was that it did at least feature some pretty cool fight sequences as well as the beautiful Eva Green and Anna Kendrick.  Unfortunately, the rest of the film was littered with unbearable performances from its three main stars, a romance that has become so contrite by the third film that I can’t understand how even tweens can bear it anymore, and unneccessary chest bearing for swooning 12 year olds.  It is disappointing that this saga will be remembered in pop-culture as one of the most popular franchises of our generation, hopefully after the fourth installment reaches theaters the vampire craze will subside.

2. Sex and the City 2

I subject my girlfriend to a lot of bad action and horror movies so I only find it fair that sometimes I suck it up and watch a movie like Twilight: Eclipse and Sex and the City 2.  While Twilight: Eclipse at least boasted a cool fight scene, two very attractive supporting actresses, and some resemblance of a plot; Sex and the City 2 had nothing of the sort.  I strongly considered making this the #1 film on this list but decided against it because I hated the next film just a little bit more.  Take four over the hill women who were only mildly attractive in their prime, send them to the middle east to do absolutely nothing, add some obligatory male nudity, and what you get is this garbage.  Screw you HBO, where is my Sopranos movie?

1. The Last Airbender

What can I say about this film that hasn’t already been expressed in numerous blogs, reviews, and hate mail sent to M. Night Shyamalan?  This movie was terrible and I really don’t have anything else to say about it, I didn’t finish it and I have no interest in watching it all the way through because I genuinely don’t care what happens, hell I don’t even know what was happening during the first 2 acts that I did see.  It is a shame that Shyamalan’s name has been drug through the mud so badly after the release of this film because it caused so many people to dismiss Devil, a decent suspense/horror flick.

Honorable Mentions:  The Wolfman, The Losers, R.E.D., Jonah Hex

 

 Here are my favorite films from 2010:

10. The Ghost Writer

Let me hand it to my favorite website and one of the greatest resources on the web for movie news, reviews, and opinions for influencing me to see this movie.  It if it weren’t for a weekend film recommendation on this very site, I may never have seen The Ghost Writer, but I’m sure glad I listen to those guys at Chris Petersen’s Film Blog, they sure are smart.  A political crime thriller from across the pond, The Ghost Writer boasts superior performances from Ewan MacGregor and Pierce Brosnan, a stellar plot that unravels at just the right pace, and one hell of an ending.  You can call Roman Polanski a lot of things, and one of them should be an outstanding director.

9. Kick Ass

Not many films these days can feature Nicolas Cage and still make my top ten, but Kick Ass was able to do just that.  Blending just the right amount of superhero fantasy with the harsh reality of life, this film was a very smart, fun romp through the world of superhero fanboys.  What took this film to the next level though was the excellent cast supported by the aforementioned Cage, Chloe Moretz, and Christopher Mintz-Plasse.  But it was the bold decision to cast the little-known Aaron Johnson as Kick Ass that made this movie great.  Could you imagine how much it would have sucked if they went with, oh say…

This Guy

 8.  Unthinkable

Seriously, read this blog every day, these guys know what they are talking about.  Okay, so it was actually me who wrote the weekend film recommendation for Unthinkable this time, but I did it for a reason.  This film gets a bad rap by some because of its controversial subject matter and torture scene, but make no mistake – this is not torture porn.  Everything shown on-screen is deliberate and important to the purpose of the film, the movie is not supposed to gross you out but rather to make you think, and to question your own morality and the morality of the world we live in.  This film is heavy, and it features Samuel L. Jackson in his best performance from at least the past 5 years as well as Michael Sheen in an Oscar worthy performance.  (This film is available instantly on Netflix for those of you interested).

7. The Town

I’ve put my grievances with the ending to rest and have accepted this film for what it is, a very good heist flick.  Ben Affleck continues to show that he knows how to handle a camera and Jeremy Renner is quickly proving to be one of Hollywood’s heavyweights and they both shine in their respective roles in this film.  Some of their talent even rubbed off on the beautiful Blake Lively who did take a cue from Charlize Theron and disguised her beauty to play Affleck’s drugged out ex-girlfriend.  I wish I could have liked this film more than I did but despite its greatness amongst this years class of film, it doesn’t compare to the greats like Heat, Dog Day Afternoon, and Inside Man.

6. Inception

It was very difficult for me not to rank this film higher on my list but when it came down to it, I wasn’t influenced by all the peer pressure and the media touting this movie as the greatest piece of art ever to grace my eyes.  I do however, give this film all the respect it deserves for a great cast (including a breakout performance by Joseph Gordon Levitt), a great story, incredible special effects and cinematography, and a cliff hanger that will live in cinema infamy.  I truly hope this film will do what many speculate it is capable of and bring some big budget originality back to hollywood in the coming years.  Christopher Nolan truly is a master of his craft and one of three directors (including Martin Scorcese and the director of the #2 movie on my list) whose name alone earns the price of admission from my pockets.

5. The Other Guys

Many posts ago, Chris wrote a post compiling a list of movies that he didn’t like until his second viewing, and earlier in this post I wrote that I believe a movie needs to be seen twice to truly gauge its value.  The Other Guys is the poster child for that theory because when I walked out of the theater after seeing this film I actually disliked it.  A second viewing on DVD changed my mind and this film jumped into my top ten about as effortlessly as Samuel L. Jackson and Dwayne Johnson jumped off that building.  This movie is hilarious from start to finish, mainly because of its satirical premise and its two leading men: Mark Whalberg and Will Ferrell.  The replay value of this movie is very high (I think I’ve seen it 5x now) and its quotability is just as great, it’s the funniest movie to come out this year and I can’t wait to see Whalberg in more comedic roles.

4. I Love You Phillip Morris

When buzz about this movie started making its way around the internet I thought it was a comedy about cigarettes, much like Thank You for Smoking. I didn’t think much of it past the title til I saw the first trailer and laughed a few times, then saw it after having my wisdom teeth pulled ( I was in need of a good laugh ).  This movie was hilarious from start to finish and was (IMO) the best performance of Jim Carrey’s career, even Ewan MacGregor was great in his supporting role as the titular Phillip Morris.  There seems to be some stigma around this movie for its homosexual content; but the film doesn’t exploit the point that the two men are gay, it simply uses it to supplement to outrageous humor.  I would best describe this movie as a gay Catch Me if You Can.

3. Black Swan

If it weren’t for the first act of this film and its camera work I probably would have ranked this movie higher on my list, but if I’m going to chastise Let Me In for its cinematography I have to hold Black Swan accountable as well.  Despite my issue with the way the beginning of the film was shot, this film delivered on many levels, often in ways that Let Me In could not.  The plot that drove the story was incredibly paced with just enough suspense to keep me attentive without driving me as insane as Nina (Natalie Portman) and I sympathised with each of the characters especially Nina and her mother (Barbara Hershey).  The performances by Hershey, Portman, Cassell, Ryder, and even Kunis were top-notch.  Lastly the climax of the film left me both pondering what I just saw as well as begging for more.  Portman deserves an Academy Award for this performance and she has catapulted herself into superstardom (see her upcoming filmography for 2011, she’s busy).

2.  The Social Network

Like I Love You Phillip Morris there was a stigma surrounding The Social Network that watered down some of the anticipation and respect that this film deserved.  However, that stigma was quickly submerged by critical acclaim and box office success after it was released in theaters.  The Social Network is so much more than “The Facebook Movie”, its a courtroom thriller that doesn’t take place in a courtroom, and it’s a character piece on the now infamous creator of one of the most popular websites in the world.  The performances by young stars such as Jesse Eisenberg, Andrew Garfield, Justin Timberlake, and Armie Hammer (who kind of plays both Winklevoss twins) carry this film and it is only supplemented by David Fincher’s outstanding direction and cinematography.  If I had a vote for Best Picture as part of the Academy, I’d vote for this film.

1. Megamind

While I’ve already established that I think The Social Network deserves the Academy Award for best picture, I don’t think it deserves to top my list of favorite movies from 2010.  We go to the movies for many reasons, but the primary reason I go to the theater is be entertained, and Megamind was the most entertaining movie of the year for me – BY FAR.  It may have been a perfect storm that cast this film into the pole position on this list but I loved every second of it.  The movie had a great story (so what if it was mildly similar to Despicable Me), a fun cast with great chemistry (especially between Ferrell and Cross), excellent cinematography (especially for an animated film), and the best 3D that I have seen in any film to date.  So far twice in this post I have written that I believe you need to see a movie a second time to truly gauge its value, well I’ve seen Megamind once and I may purposefully never see it again.  Seeing this movie in 3D in theaters was such an enjoyable experience that I fear subsequent viewings may only diminish the perception I have of this film.  I hope to someday have the capability of recreating the theatrical experience that was Megamind (anyone wanna buy me a 3D TV? and Bose stereo system?).

Honorable Mention: The Crazies, Scott Pilgrim Vs. The World, Easy A

As a small token of my gratitude for reading through this very long post (even if you skimmed it) and making it this far, here is my top ten movies I wish I had seen in 2010, most of which are new or limited releases:

10. Paper Man
9. Winter’s Bone
8. Monsters
7. Toy Story 3
6. Tron: Legacy
5. 127 Hours
4. The King’s Speech
3. True Grit
2. The Fighter
1. Buried

Chris’ Best/Worst Films of 2010

4 Jan

Everyone seems to have their own opinion about what the best and worst films of the year were, and in that regard I am no different. This post comes with the disclaimer that these are only out of the films that I have seen. Unlike the Golden Globes, I don’t want to give films credit based on buzz, even if the chances are that they are pretty good.

 

If you're nominating Golden Globes on name recognition alone, I am surprised Valentine's Day didn't make the list.

 

 

Here are some of my favorite films from this year:

10. True Grit

While this film was good and featured great performances, specifically by Hailee Steinfield, the update seemed unnecessary overall. The technical aspects of the film were great, but failed to find any substance beneath the surface. Jeff Bridges played John Wayne’s classic and Oscar-winning role with bravado, but really only blended into the film rather than stood out like The Duke did. Still, The Coen Brothers definitely know how to make a film, there is no doubt about that.

 

9. Let Me In

The success of this film hinged heavily on the strength of its young leads (Chloe Moretz, Kodi Smit-McPhee) and they came through in spades to deliver a vampire film for adults and people with more than an I.Q. of 75. Richard Jenkins, one of the best kept secrets in Hollywood, also gives a strong performance as the protector of Moretz. I was thoroughly impressed with this film overall, and while I cannot comment on how it compares to the Swedish original, it still stands on its own as one of the best of the year.

8. Megamind

The first of two animated films on here, this was one of the most underrated films of the year. It did decent with the critics, but failed to find a strong fan base, even with the most spectacular 3D on display this year (that I saw). The script was strong and Will Ferrell and David Cross had an outstanding rapport and made this quite a treat for those that took the time to see it.

7. Toy Story 3

This ranking might incite some rage by people who think that should win best picture, and they have quite a following. To those people I say, wait…what? Pump the brakes here. This film is good, don’t get me wrong, but it is nowhere near Best Picture quality. It is entertaining, but lacked some of the humor of the first two and while it was in 3D, it did nothing with it other than jack up the prices of admission. Sure, it brought a tear to the eye of many as we said goodbye to some old friends, but in the end, the overall depth was far short of anything that should win top honors. Again, don’t crucify me, I liked it, it made this list, but I enjoyed so many other films more than this one.

6. The Other Guys

Will Ferrell definitely had some dud comedies in the last couple of years.

 

I'm looking at you Semi-Pro.

 

 

But, The Other Guys almost makes up for them and, like a lot of Will Ferrell films, gets better after repeat viewings and line quoting sessions. Mark Wahlberg made a great jump to comedy this year in both this film and Date Night, and he provided an intense foil to Will Ferrell’s bumbling. It was nice to see Ferrell tone it down a bit as well, letting Wahlberg share the spotlight. I couldn’t justify putting this film in the Top 5, but it was one of my favorites this year.

5. The Town

Ben Affleck is a decent actor when he really buckles down, but he is an incredible director and makes it seem easy. He compiled a great cast for his sophomore directorial production and wrote a superb script to boot, with fully fleshed out characters and realistic dialogue. He seems to bring out the best in everyone around him, even an unlikely Blake Lively, who you could barely recognize as a drug addict. High praise to Affleck and I hope that he stays behind the camera more often than not.

4. Inception

Christopher Nolan garnered the most buzz this year, releasing one of the highest grossing original productions this year. He brought a breath of fresh air to the summer season, which was bereft of entertaining films that aren’t dumbed down for the popcorn crowd. Nolan salvaged the summer blockbuster and paved the way for other budding directors to get the funding they need for their original projects, rather than having it shelled out to worn out sequels and reboots which flopped. This is another film that die hard fans argue should win best picture, but while this grand film succeeded technically and in the “that was so cool” department, it didn’t have the depth to move it any higher than the other films that round out the top 3.

3. The Social Network

When I wrote my article about The Five Most Anticipated Films of the Fall Season, this one didn’t even get honorable mention. I thought it looked like a film that was geared at trying to bank on the facebook craze. Man, was  I wrong, and I owe it to Pac for getting me into seeing this on. This scathing portrayal of Mark Zuckerberg, the creator of facebook, and the people that surrounded him on his meteoric rise, provided one of the most intriguing characters on screen this year, even if some of the “facts” were a bit fabricated. David Fincher should at least get a nomination for directorial work and Aaron Sorkin should get recognition for his smart screenplay adaptation as well.

2. Buried

I kind of saw this film by accident, after my fiance and I’s car broke down in Maryland. We ended up being in the wrong place at the right time and caught this hard to find film in the theater. My eyes were glued to the screen the whole time. I had heard about the premise of this film online and really wondered how they could film a whole movie inside a coffin (and I mean the whole movie). Ryan Reynolds carried the weight of this film on his shoulders and in the dim light portrayed the utter desperation of this man buried alive and held for ransom. I expected it to be intense, but I didn’t expect the strong emotional aspect of the film and it stuck with me for several weeks after watching it. I encourage everyone to see this film, unless they are extremely claustrophobic.

1. Black Swan

This was one of the most hyped films of the year, sporting a notable cast (Natalie Portman, Vincent Cassell, Mila Kunis) and a director, Darren Aronofsky, at the top of his game. I expected to be a little disappointed, but instead was completely captivated by this film, the only psycho-horror-ballet-thriller that I know of. Natalie Portman should definitely win Best Actress after this and I can forgive her for taking on lighter fare for a little while after this, which must have required her, like her character in the film, to be completely immersed in the artistic process. High marks for Barbara Hershey and Vincent Cassell as well, and a tip of the cap to Mila Kunis for their performances as well. It was beautifully dark and infinitely entrancing.

Movies I Wish I Had Seen for this List:

127 Hours

The Fighter


Worst Films

10. Due Date

Not a bad film necessarily, but come on, RDJ and Galifianakis can do better than that. If you want to see a funnier Todd Phillips road trip film, I suggest Road Trip.

9. Alice in Wonderland

Disappointed is the best word to describe my opinion about this film. Burton did a stellar job with the visuals and completely flopped developing a compelling story and Johnny Depp was more annoying than entertaining as the Mad Hatter.

Pardon me, sir, but could you spare some crack?

8. Predators

Adrien Brody as an action star is just not believable. The film had one of the best openings of the year and then dissolved into increasing ridiculousness and idiocy. If they knew mud was how they could beat them halfway through the film, why wait until the end, when they are almost all dead, to try it?

7. The Wolfman

Who would have thought that a film with great actors and a great premise would be one of the most boring films of the year. Please don’t bring this back…ever. I finally found an Anthony Hopkins film that I didn’t even enjoy watching in the least. I was hoping that day would never come.

6. Get Him to the Greek

I am still confused at how this film did so well with the critics. I was really excited about this sequel that wasn’t a sequel. It had great writers and a given chemistry between its two leads. But, it failed on just about every level, meandering for punch lines and a point for an hour and a half.

5. The Last Exorcism

I am going to repeat the joke that many people said about this film, let’s hope the title is accurate. While the film started off very well, the ending left a bitter taste in my mouth and the entire audience at the theater seemed disgruntled.

4. Valentine’s Day

How did they get this cast? How? This was by far one of the dumbest films of the year. This film was not funny and it wasn’t romantic. Ashton Kutcher and Jennifer Garner were the worst on screen couple I have seen in a while.

 

Okay, maybe not the worst.

 

 

3. MacGruber

I am always hoping SNL films will do well because I like the show, but they keep giving more ammo to people to hate them. This film was no different. I loved MacGruber on the show and got really excited about this film coming out, especially with Jorma Taccone directing and some serious talent associated with it. However, the gags were dumb and overly vulgar and the film made absolutely no sense. I was sorry to see Ryan Phillipe and Val Kilmer get tied up in this one.

2. My Soul to Take

Why did Wes Craven decide that this would be the film to make a come back with? Why not wait for Scream 4? I have serious doubts about the already shaky premise of the fourth installment after watching this piece of cinematic excrement. Not only did it have the worst story and terrible acting, it had pointless 3D that wasn’t even used. The one part that might have been cool to watch in 3D, wasn’t in the film, only in the preview. I think I died a little inside when I watched this film.

 

Well, at least no one can claim the title was false advertising.

 

 

1. The Last Airbender

M. Night Shyamalan, what happened to you? He is an easy target for this film and should be. He has plenty of money, why not wait and pick his projects more carefully. Why not hire someone else to write his scripts? Why not choose a better, less offensive child actor to play the lead? Why not bring a little bit of depth to your characters instead of putting cardboard cut outs around razzle dazzle special effects? I seem to recall a young director who said that he wanted to shy away from special effects anyway. Mr. Shyamalan, please refrain from directing any movies for at least five years and stick to helping people out with the Night Chronicles, because Devil was 10 times better than anything you made in the last 8 years.

 

REVIEW: TRUE GRIT (2010)

28 Dec

Guest Review Written by: Jeremy “Jerome” Petersen

True Grit

Rated: PG-13

Starring: Jeff Bridges, Haitee Steinfeld, Matt Damon, and Josh Brolin

Director: Joel and Ethan Coen

Like most parents of small children, my wife and I take whatever opportunity we get to leave our child in the care of their grandparents and enjoy some time without the cloying sounds of Veggie Tales Christmas in the background. Two nights ago, to take a break from both our child and the bedlam of a house with ten people in it, we went to go see True Grit in the comfort of one of the most luxurious theater experiences around: VIP (21 and over) seating at the Muvico Village 12 in Fredericksburg, VA. (Quick side note: The only reason I was seeing this movie at all was because it was one of only two movies–the other being the unappealing Little Fockers–that had VIP seating available. My wife and I were planning on seeing Black Swan (see Chris and Pac’s “Take Two” review here), but since Muvico moved it from the VIP screens in favor of newer–if not necessarily better–material, my wife insisted that we go see the Coen Brothers’ remake of the John Wayne classic despite the fact that she is an avowed Western hater.) Overall, while the movie itself–though solid–felt somewhat unfulfilling, the combination of True Grit’s sharp dialogue, memorable characters,  understated score, and lack of talkative small children made for an enjoyable evening.

To get this out of the way at the outset, I have not seen the 1969 original (dir. Henry Hathaway) that won John Wayne his only Oscar as Best Actor. Despite that, my view of this remake is influenced heavily by my impressions of John Wayne from other classics like Stagecoach and The Searchers (which I have yet to get Chris to watch).

True Grit tells the story of the sharp-tongued girl Mattie Ross (Haitee Steinfeld) who hires the alcoholic U.S. Marshal Rooster Cogburn (Jeff Bridges) to track down her father’s killer, Tom Chaney (Josh Brolin), and bring him to justice. As the title suggests, the movie is more about the two main characters than about the plot itself. In fact, the plot by the end is rather subsidiary to Rooster’s redemption and the bond formed between Mattie and Rooster. The main strength of the film–as one would hope in a character-driven film–is the characters. Despite the presence of Oscar-winner Bridges, who seems to play an 1880s version of Dude Lebowski at points, Haitee Steinfeld dominates the screen from the outset until just before the end with her portrayal of Mattie. Rarely at a loss for words, Mattie virtually always has the verbal upper hand, engaging in stinging repartee with every character who stands in the way of her goal of settling her father’s affairs and avenging his death. That Steinfeld–who does not look a day over her character’s fourteen years–is able to so convincingly play a rather unrealistic character is deserving of the Best Supporting Actress nomination buzz she has been receiving. Mattie and Cogburn are assisted in their search for Chaney by the rather foppish Texas Ranger LaBoeuf (Matt Damon). Given that most Westerns venerate LaBoeuf’s outfit and Texans in general, that the Ranger is the butt of most of the film’s jokes for his Texas origins is one of the more comical elements of the film. Bridges is adequate in filling Wayne’s impossibly large shoes as Rooster Cogburn. While I don’t think anyone else around could have played the part any better (unless maybe Sean Connery could come out of retirement and learn a passable Western accent), Cogburn, until the very end of the film, comes across as somewhat cartoonish, amusing dialogue notwithstanding. Bridges may be able to deliver quips well, but he cannot bring the same presence and gravity to the film that Wayne provides.

In terms of the construction of the film, the cinematography seems rather understated, and the camera–with the exception of a shootout in the Indian territory and Cogburn’s redemptive sequence–does not insist on itself to the viewer. While landscapes are often a character of sorts in Westerns, the Coens employ very few of the long and very long establishing shots used to show off the unforgiving landscape in most Westerns and even in their recent Western No Country for Old Men. The score, composed by Carter Burwell, is the only element of the film from which I felt a distinct, though gentle, artistic insistence. Consisting of simple piano and string variations on the venerable hymn “Leaning on the Everlasting Arms,” the music imbues the film with an undeniable sense of nostalgia, comparable to the effect of “Take Me Out to the Ballgame” on Ken Burns’s Baseball documentary. The moving nostalgic tilt both softens and complicates some of the film’s more violent scenes.

While there is much to like about the parts of the film, the sum of the movie is somewhat lacking. Oddly, despite the 110-minute running time, the film felt like it could have used another 10-15 minutes before the climax to make the transition between Cogburn’s lowest point and his redemption feel less abrupt. Perhaps this sense comes from the large amount of time that the Coens took to establish Mattie and, to a lesser extent, Rooster’s character before the primary action of the film.

Rooster Cogburn before redemption.

 

With the exception of the opening sequences with Mattie and Rooster, many of the following scenes–while enjoyable–feel somewhat underdeveloped as a whole. While the Coen Brothers are famous for films with the sort of (often literally) messy endings that make the viewers, like J.K. Simmons’ CIA character in the Coens’ Burn After Reading, ask, “What’d we learn, Palmer?” (to which the only appropriate reply can be “I don’t know, sir”),  the underdevelopment of the plot and the film’s ambivalent ending feels somewhat less organic than in some of the Coens’ other films (O Brother, Where Art Thou?, Fargo, and No Country for Old Men to name a few).

Much of the early reaction to news of True Grit’s production (including this blog in this August post), before anyone really saw it, was that the film, attempting to remake a classic and an iconic actor’s part in it, was unnecessary. However, the Coens clearly feel otherwise, and the reason for it may be in the nostalgia they feel for what Wayne represents. Joan Didion refers to Wayne in her essay “John Wayne: A Love Song” as a “mold” into which was poured “the inarticulate longings of a nation wondering at just what pass the trail had been lost.” The insistent score, evoking the hymn’s praise for everlastingly strong arms, yearns for this sort of classic American anti-hero–thoroughly flawed but ultimately dependable and ruthless in his defense of those he holds dear–that Wayne played in much of his later career. If the Coens see the inescapably violent world of No Country for Old Men as an accurate depiction of modern America, perhaps they see men like Rooster Cogburn as the only way in these times to achieve justice and security for those not strong enough to get if for themselves. After all, Mattie, for all of her pluck and wit, would not be able to survive her mission without Rooster’s intervention.

Ultimately, while this movie is not among the top five films of the year or the Coens’ career, it is well worth watching, if for nothing more than the memorable characters and faint, poignant echoes of John Wayne’s greatness.

  • Characters: A-
  • Cinematography: B
  • Directing: B+
  • Plot: B
  • Performances: A-
  • OVERALL: B+


Opening This Week (20 – 26 Dec, 2010)

20 Dec

There is quite the mixed bag of films this week with the arrival of Christmas. The expectation for Christmastime  films is almost exactly the same as the expectation for Christmas presents you had as a little kid. You knew there would a be a fair amount of socks and shirts that you will never wear, but you always knew there would be one gift that would leave you glowing for at least an hour, until its newness wore off. This week there are a couple of socks and shirts (Little Fockers, Gulliver’s Travels), but you know there will at least be some films of real value (i.e. True Grit, The Illusionist).

Little Fockers

Starring: Ben Stiller, Robert DeNiro, Barbara Streisand, Dustin Hoffman

Director: Paul Weitz

Synopsis from IMDB: Family-patriarch Jack Byrnes wants to appoint a successor. Does his son-in-law, the “male nurse”, Greg Focker have what it takes?

Trailer:

Chris’ Take: Like all decent (not great) comedies, it is necessary to run them into the ground until their is no ounce of humor, originality or inspiration. Such is the tale of Little Fockers. I don’t think I laughed once during the trailer and it now looks like they are relying most heavily on the word Focker’s relations to a four letter word, and that is all they got. The sad part is that they will run away with a good $75 – $100 M before anyone notices.

True Grit

Starring: Jeff Bridges, Hailee Steinfeld, Matt Damon, Josh Brolin

Director: The Coen Brothers

Synopsis from IMDB: A tough U.S. Marshal helps a stubborn young woman track down her father’s murderer.

Trailer:

Chris’ Take: When I first heard about this remake, I was disgusted. It seemed like a shameless attempt to capitalize on a great western and spit on The Duke’s iconic role. The more I read about it, saw the cast, and finally that the Coen Brothers were directing, my anticipation started to grow and now it is the film that I most look forward to this Christmas season. I think it will end up being a respectful tribute to the original and a compelling film as a whole.

Gulliver’s Travels

Starring: Jack Black, Jason Segel, Emily Blunt, Amanda Peet

Director: Rob Letterman

Synopsis from IMDB: Travel writer Lemuel Gulliver takes an assignment in Bermuda, but ends up on the island of Liliput, where he towers over its tiny citizens.

Trailer:

Chris’ Take: I  miss the days when Jack Black was still a supporting actor. His comedic style is only good in small doses and it is difficult to watch a feature length film with him as the lead. The trailer, like the idea to remake this to begin with, seems bereft of comedy, with the exception of the throw away Kiss gag at the end. I like Jason Segel and Emily Blunt, and hopefully their involvement will bring some spark to the film.

Somewhere

Starring: Stephen Dorff, Elle Fanning, Chris Pontius, Benicio Del Toro

Director: Sofia Coppola

Synopsis from IMDB:  A hard-living Hollywood actor re-examines his life after his 11-year-old daughter surprises him with a visit.

Trailer:

Chris’ Take: Sofia Coppola returns to the director chair, examining the life of another successful actor in a foreign country. This film already won the Golden Lion Award for Best Picture at the Venice International Film Festival, which bodes well for its critical reception in the States. It looks like it will be an intriguing character study, and a very slow-moving film, that will be worth seeing if you have the patience.

Country Strong

Starring: Gwyneth Paltrow, Tim McGraw, Garrett Hedlund, Leighton Meester

Director: Shana Feste

Synopsis from IMDB: A drama centered on a rising country-music songwriter (Hedlund) who sparks with a fallen star (Paltrow). Together, they mount his ascent and her comeback, which leads to romantic complications involving her husband/manager (McGraw) and a beauty queen-turned-singer (Meester).

Trailer:

Chris’ Take: The Academy Awards love their films about fallen music stars and this film seems like it is trying to bank on the success of another washed up country music star film, Crazy Heart. These films, especially when they involve country music, aren’t usually my cup of tea, but chances are it will at least garner some recognition for performances, and music, come Oscar time.

The Illusionist (L’illusionniste)

 Starring: Jean-Claude Donda, Eilidh Rankin, Duncan MacNeil

Director: Sylvain Chomet

Synopsis from IMDB: A French illusionist finds himself out of work and travels to Scotland, where he meets a young woman. Their ensuing adventure changes both their lives forever.

Trailer:



Chris’ Take: This looks like a beautiful animated film, and from the amount of critical acclaim, is going to give the audience favorite, Toy Story 3, a run for its money in the Best Animated Feature category.

So your movie is getting remade…Deal with it.

9 Nov

By Brian Pac Sostak

Total Film reported today that Niels Arden Oplev, the director of The Girl with the Dragon Tattoo is unhappy that his film is being remade in the United States.  In the guise of defending his lead actress, Noomi Rapace, Oplev had this to say about the David Fincher version:

“The Sony PR machine is trying to make their Lisbeth Salander the lead Lisbeth Salander, that’s highly unfair because Noomi has captured this part and it should be all her.  That’s her legacy in a way I can’t see anyone competing with it.”

Niels Arden Oplev, you are entitled to your opinion but I am also entitled to mine, and I would like to humbly express my opinion as a general movie-goer and enthusiast.  Deal with it.  First of all, you may have a genuine concern for the legacy of your lead actress in your film, but I’m skeptical about your honorable defense and believe you are more concerned with the legacy of your film.  Regardless, you shouldn’t be so concerned, you should be appreciative of all the extra attention that is given to your film and how it will enhance its legacy.

Consider some of the other recent foreign films to be remade in Hollywood and how their status in global pop culture was enhanced by American adaptations.  Ju-On (The Grudge), Ringu (The Ring), Mou Gaan Dou (The Departed), Let the Right One In (Let Me In) were all films remade for Hollywood and their legacies have all been enhanced because of this.  Maybe my opinion can be dismissed as “American Ignorance”, but I would not have heard of or seen  most (if not all) of these films if it were not for their American remakes.

A film by Niels Arden Oplev. Heard of it?

If you still want to chalk my opinion up to “American Ignorance” consider this, I think American filmmakers who are having their films rebooted should be appreciative too.  As a case study, take A Nightmare on Elm Street for example.  That film was remade earlier this year and with its theatrical release came a Blu-ray release of the original, DVD box sets, television broadcasts and additional merchandise sales that otherwise would not have happened.  A remake is a promotional tool for your original film, a way to bring your legacy to an audience that may otherwise never acknowledge your film.  Remakes don’t destroy the legacy of good films, they enhance them. 

Also, don’t say that no other actress can compete with the legacy your actress has established then complain when they attempt to.  That’s like saying you make the best Frikadeller in the world but then refuse to enter a cook-off because you consider it a slap in the face.   Besides, you have no right to be miffed at Hollywood for making The Girl with the Dragon Tattoo because it isn’t your intellectual property in the first place.  Your film is an adaptation of a book by Stieg Larsson.  Is Tim Burton publically bashing Warner Bros and Christopher Nolan for making the Batman films?  Is John Wayne rising from the grave, pistol in hand, to challenge Jeff Bridges to a duel?  Neither you nor Noomi Rapace created the legacy of Lisbeth Salander so it isn’t yours to protect.

Proof that even terrible remakes cannot destroy legacies

We’ll have to wait another year for Fincher’s The Girl with the Dragon Tattoo to appear on the big screen and I bet during that year you’re going to welcome every cent the “Sony PR Machine” produces for you, directly or indirectly.  After reading your comments I’m privately hoping your film’s legacy over time is reduced down to “The Girl with the Dragon Tattoo is a remake?”

I’ve clearly expressed my opinion; but what do you, the reader think?  Was Niels Arden Oplev justified in his comments?  Will David Fincher’s version of the film tarnish the legacy of its predecessor?

Small Re-makes Rant

31 Aug

I just heard a disturbing rumor from Perez Hilton (my girlfriend sends me posts that she thinks I would find interesting or amusing…I swear I don’t subscribe!!!) that Justin Bieber might be on tap to reprise Michael J. Fox’s role as Marty McFly in a “Back to the Future” remake. Wait….what? Why would they need to remake that movie in the first place? It is a Hollywood classic that is totally fine the way it is.

Somehow I just can't see this guy rocking out to Johnny B. Goode.

This is only a rumor, as I stated above, but if it is true, this would be something  far worse than a Justin Bieber biopic….in 3D. At least the biopic would only be his story and his interpretation of his boring story as opposed to destroying an iconic performance by Michael J. Fox. On top of that, who would they get to play Doc Brown? Who could step into Christopher Lloyd’s shoes for that part? The whole idea is ridiculous and I hope that it is just a rumor and there isn’t a spark of truth to it at all.

Great Scott!!! Not the Biebs!

There is, however, another remake in the works which I am sure will be done well, but I don’t think is necessary. “True Grit” is currently in the process of being re-done and returned to the big screen starring Jeff Bridges. While I greatly admire Jeff Bridges as an actor and I’m sure that if he is in it he will try to do it the appropriate amount of artistic justice, but I think making this film is taking away from the iconic, and Oscar winning performance, by John Wayne. I am interested to hear your opinions and comments on this because my take is that re-making “True Grit” is like saying John Wayne just didn’t do  a good enough job as Rooster Cogburn in the original and we want to make it “True Grittier”.

I don’t know, that is my opinion, but let me know your thoughts about the “True Grit” re-make in the comments. I am also interested to hear your thoughts on the Justin Bieber “Back to the Future” rumors (hopefully something that falsifies them).